At Iowa's rapidly expanding Big Grove Brewery, the goal isn’t to make money today, but to make people come back tomorrow.
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At Iowa's rapidly expanding Big Grove Brewery, the goal isn’t to make money today, but to make people come back tomorrow.
The post Big Grove’s Big Plans: Give Iowa a Try appeared first on CraftBeer.com.
While I love the pure expression of malt, water, hops, microbes, barrel, and time... fruit can make a fantastic addition to a barrel-aged sour. From a "sales" standpoint it is also easier to explain the difference between beers with fruit, than those with subtle differences in grain bill or microbes. Most people know they like cherries, plums, and raspberries... they may not know they enjoy horse blanket, minerality, or rubbery notes.
This is the third in a series of posts updating my thoughts from American Sour Beers ten years ago. The two beers featured below (Jammiest Bit and Fruit of Many Uses) were both part of the first shipment of the Sapwood Cellars Out of State Shipping Club. Memberships for that shipment are closed, but you can still sign-up now for the next shipment fall 2024 ($146/shipment including shipping). Bottles of both are still available at the tasting room!
I would almost always rather use fresh in-season local fruit over a puree, juice, freeze-dried, concentrate, and especially natural extract. Local produce tastes unique, meaning a beer that doesn't taste the same as one brewed on the other side of the country or by a larger brewery. You'll get a more complex character from having beer in contact with the stems, skins, pits etc. Working with farms, orchards, and vineyards "fits" the narrative of an artisanal product... making it look good on social media too! Not to mention our fruiting tanks (without conical and glycol jackets) work best with whole fruit rather than purees.
Talking directly to farms and orchards at farmer's markets is a great place to start. Tasting things, chatting about what sort of capacity (and excess) they might have. Sometimes you can get a good deal on seconds... but for me these often aren't worth it since it can take a lot of time and effort to sort them (going rotten before they are all ripe) and cut-out mold etc.
We've used IQF (Individual Quick Frozen) fruits several times with great results. For smaller batches I've just gone to supermarkets, found a product I like the flavor of... and bought out a couple locations. Online specialty purveyors like Northwest Wild Foods have weird things you might not find locally, like honeyberries. For lager batches we've ordered from Coloma Frozen Foods, but don't do it regularly as refrigerated shipping is expensive. Recently we've been getting our raspberries from Twin Springs Fruit Farm (which freezes their own). Using high-quality frozen fruit is something great lambic breweries do, and it allows to extend the fruiting season so you don't have to have enough tanks for all of your fruit beer at once!
That said, not all fruits are available locally. You can certainly source whole fruits from a good local produce supplier (and we have), but purees have their place too... especially in "smoothie" type sour beers. That said, there is no magic bullet on sourcing them. We've used Oregon Fruit, Greenwood Associates, Kerr/Ingredion, Asceptic Fruit Purees, Hop Havoc, Boiron, FruitGuild, and Araza. None of them are "always good" and none of them are always bad. It's often about preference. For example, Oregon Pineapple is thin, closer to juice, great for an IPA where you'll drop out the solids. Araza Pineapple is much thicker, perfect for a smoothie sour. Both taste great.
Frozen wine grapes are another great option, either juice or must. Again, I love working with local vineyards (Crow Vineyard and Winery has been especially nice to work with), but that isn't always an option! We've had good luck with Grapes for Wine and Wine Grapes Direct.
The only concentrates I've enjoyed are "freeze" concentrates (the wild blueberry and raspberry from Greenwood Associates are great). I've disliked the flavor of all of the standard high-concentration "boiled" concentrates which end up tasting like caramel, and are so thick that they are difficult to mix with beer. Granted, after an early batch with concentrates from Kerr we really haven't tried any more. On the other hand, Kerr's NFC (Not From Concentrate) raspberry juice was terrific, so I suspect the issue was the concentration.
Freeze-dried fruit can be a pretty good option for tropical fruits like mango. I've yet to find a mango puree that didn't taste cooked. The freeze-dried stuff tends to have a brighter "mango popsicle" flavor. It can be pricy, but there is a lot of flavor pound-for-pound. North Bay Trading generally seems to have the best bulk pricing.
We have a chest freezer at the brewery so we can keg fruit when it is ready, but not necessarily have to go onto it immediately. Freezing the fruit also helps break the cell walls allowing better/quicker contact and refermentation. Just make sure to line your freezer with cardboard so the bags don't stick to the interior. That's all we do for berries. Freeze them, let them thaw in the tank, then transfer beer on the next day.
When it comes to larger fruits (e.g., stone fruit like peaches and nectarines) we'll manually quarter them and discard the seeds/pits. In an ideal world we'd selectively process and freeze the fruit on a flow basis as it reached peak ripeness.
I've never had good luck with fermented citrus, so for limes, lemons, oranges, and grapefruit we use the zest. We use a Starfrit Electric Rotato Express. It struggles a bit on really large grapefruits, and we go through a couple a year as they just aren't sturdy enough for a "production" environment.
There is some science that cherry stems have glycosides that Brett can work on to free fruity aromatics... but in practice I find they add a "stemmy" flavor that reminds me of dried leaves. I like the pits though. Obviously nice to find a source that has your preferred processing so you don't have to do it!
However you process the fruit, purge the tank with CO2 thoroughly before transferring beer in. This will help ensure the brightest, freshest, fruit expression possible!
We usually repitch rehydrated (with StartUp/GoFerm) wine yeast along with the fruit to ensure a rapid refermentation, scavenge oxygen, and enhance the fruit character. While our sour beer production area has "light" HVAC, we don't have jackets for our fruiting totes (Flextanks). As a result, we'll change our yeast depending on the seasonal temperature. Usually using more heat-tolerant red wine strains in the summer, and cool-loving whites in the winter.
We also add a small amount (5-7 PPM) of hop extract to prevent additional acidification if the beer is already sour enough for our tastes. See my article on hopping sours for more details.
I've slowly come to be an advocate for relatively short contact time, enough to ferment out the sugars, but not much more. This is especially true of raspberries (which develop a "seedy" flavor from extended contact). I've also heard strawberries as a quick-contact to reduce the phenolic "plastic" flavor they can develop. Although I've also read that can be varietal specific, and others claim freeze-drying can help mitigate.
If I'm aging a beer on raspberries and another fruit that I prefer longer contact, I'll do that separately in two totes. That way we can keg off the raspberry after 10-14 days, while the cherries, wine grapes etc. have a little more contact time (1-2 months). They we blend them together. This could also be accomplished sequentially by racking the beer off of the raspberries and then onto the cherries.
Our Flextanks have stainless steel filters from Utah Biodiesel Supply fitted over the racking arms with stoppers. A false bottom would likely work even better, but with a slow transfer we haven't had many issues with whole/pieces of fruit. The lone one I remember causing havoc with chunks of frozen mango that totally disintegrated.
With all the time and effort of getting the fruit and processing it, we often try to get a second beer out of it. Second use fruit is more subtle, allowing a more "beer-forward" balance. You could likely get similar results from ~25% of the fruiting rate, but second use fruit is easier (and free)!
We'll often just push in a single keg of sour beer onto the fruit from a whole batch to "rinse" it. This gets a big fruit character and it's an easy way to make a unique one-off
We'll do a whole new batch onto especially high fruiting rate beers. For example when we did 4 lbs/gal of raspberries in Throwing Hearts with Other Half, we went onto the fruit with a sour red along with vanilla beans to make Galactic Swirl.
For Fruit of Many Uses, we racked the beer sequentially into each tote after a previous beer. Getting Chardonnay grapes (from Field Learning, our Bissell Brothers collab) before going into barrel, followed by raspberries, then cherries (both from Jammiest Bit), and white nectarines (Polite Company).
We haven't tried it, but I know some brewers who will knock-out fresh wort onto spent fruit as a way to get fruit flavor along with a strong house culture.
No matter your technique, be extra mindful of limiting oxygen exposure as you won't have refermentation to scavenge oxygen.
Barrel #71 Golden Strong #3 (Pils, 2-row, Chit, Wheat malt, and Flaked Wheat to 1.056 with aged Celia and Lemondrop pellets). Primary fermentation with 58W3 and some microbes from a blend of older barrels that was primarily Yeast Bay Mélange (but also various dregs from Oxbow, Jester King, and Backacre). Then aged 17 months in a second-use Malbec barrel. The culture in the barrel itself was originally derived from a De Garde bottle.
Barrel #36 Marylambic #7 (Weyermann Barke Pilsner, Flaked Wheat, and Chit to 1.044 with .5 lbs/bbl aged East Kent Goldings). Primary fermentation T58. Then aged 13 months in a third-use Pinot Noir barrel. The microbes in the oak were originally from dregs from two Floodlands bottles.
Racked into two totes one with 150 lbs Twin Springs Raspberries and the other with 150 Baugher's Orchard Sour Cherries. Both frozen and thawed. Each received 10 g of HopSteiner Alpha Extract, and fresh 71B for refermentation.
Smell - Mix of fresh berries, raspberries more than cherries. Not a hugely complex funky or "Brett-forward" beer, but there is a little lemon and hay Barrel character is hidden behind the fruit as well.
Appearance - Crystal clear, brilliant red-purple. Light-pink head fizzles quickly, but stays as a thin covering.
Taste - Cherries come through more on the palate. Good fruit intensity, still really fresh/vibrant. Firm acidity, slight sharpness from the malic acid of the cherries? Again not an especially complex or funky beer, but it’s a showcase for good fruit. The Baugher's cherries without stems seems to have been a good choice. A bit sweet which lends a more Flemish Red lean rather than Lambic or Saison.
Mouthfeel - Medium-high carbonation. Medium-light body.
Drinkability - It grows on me as I drink it and my palate gets used to the acidity. Good blend of fruit, bright flavor, I just wish the base beer was a little more interesting.
Changes for Next Time - Wouldn’t mind depitted cherries to make sure we are getting good extraction.
Base Beer: Belgian Pale #3
78% Murphy & Rude Virginia Pilsner
18% Murphy & Rude Wheat Malt
4% Murphy & Rude Vienna Malt
OG 1.047
.5 lbs/bbl 5-year-old Australian Summer Hop Pellets
Primary Yeast Lalvin 71-B
Microbes from Chardonnay Grape tote (originally a Bissell Brothers house souring culture they sent for the collab).
Then aged in a third-use Cabernet Sauvignon (microbes originally from Modern Times House of Sand) and Barrel #41 fourth-use merlot barrel for 11 months (microbes in barrel included East Coast Yeast Senne Valley, Bokkereyder dregs, Mad Fermentationist Saison, Casey, and Afterthought dregs)
Racked sequentially onto 150 lbs Twin Springs Raspberries, 150 Baugher's Orchard Sour Cherries, and 250 Twin Springs White Jade Nectarines.
Smell - The berry leads, more cherry than raspberry. Earthy hay, candied fruit salad. The nectarines and grapes don’t shine in the aroma, but they help to send it in a direction that isn’t one-note “berry.” Almost apricot brandy as it warms. I don’t taste anything off from the pits, seeds etc.
Appearance - Carbonation seems a little low. A hard pour results in only a two-finger white head. A few bubbles rising through the pale body. Good clarity.
Taste - Pleasantly tart lemony acidity, without being harsh. The nectarine comes through more distinctly on the palate. Finish is berry again, but light, bright, and juicy finish. Non bitterness.
Mouthfeel - Medium carbonation, could be spritzier. Smooth, no astringency. Light body, without being thin.
Drinkability - Really complex with the different fruit notes coming in and out of awareness.
Changes for Next Time - The Chardonnay is mostly lost, would be a better feature in a plain beer or maybe light dry hopping.
This is the second in a series of posts each covering an aspect of brewing mixed-fermentation barrel-aged beers where my opinions have changed significantly since I wrote American Sour Beers 10 years ago. Each post will focus on our process, recipe, and results for one of the beers in the Sapwood Cellars Shipping Club (includes 6 bottles, for $146, cancel anytime) - sign-ups for the first box close May 5th! This post covers blending through the lens of Growth Rings 2023 (our blend of 1-, 2-, and 3-year barrel-aged sours). If you are closer to the brewery, May 10th and 11th I'll be doing a talk and vintage sour tasting including pours of Growth Rings 2021 and 2023!
As a homebrewer, my experience with blending was limited to a handful of batches. Over the last six years I've had a hand in blending more than 70 batches of barrel-aged sour beer. So, I thought it would be valuable to give my thoughts on the process, what I've learned to do, and not to do.
You can't blend great beer if you don't have options. Creating variety starts on brew day and continues through fermentation and aging.
Malt Bills - More so for darker sours, it's good to have options for beers that have different flavors to pull from. Even for pale beers, having different grains (wheat, oats, rye, spelt, light caramel malt etc.), and starting gravities can be valuable for creating range.
Hopping Rates - As I discussed in my previous post, hopping rate plays a large role in acidity and "funky" aromatics. Bitterness itself can be a valuable flavor in a blend, it's a flavor present in most lambics, and too often missing from American sours.
Acidity - Having "Brett only" barrels is a good way to ensure you have beer available that won't be too acidic. When a barrel starts getting too sour, we'll often keg it so it is available for blending at a low level for beers that aren't sour enough.
Barrels - A blend of "new" and well-used barrels. Early on all of our barrels were first-use (to us). As a result many of our early releases were too woody, giving "lumber aisle" vibes. Most sour beers are light and delicate and too much oak can overwhelm. At the same time, it's good to retire barrels that aren't producing spectacular beer allowing you to bring in new characterful barrels (we currently have fresh gin, Madeira, PX Sherry etc. aging). If I was starting a new barrel program, I'd soak half of the barrels slated for pale beers with multiple changes of hot water to leach out oak flavor and tannins before filling.
Microbes - It is easiest if you have the same culture in all of the beers/barrels. In that case you don't have to worry about additional attenuation after packaging. For me, it's more valuable to have a variety of microbes for different acid levels and Brett profiles for more dynamic flavor options. As time has gone on we've split the difference, pumping in some of a favorite barrel to a fresh batch, but then going into various barrels with their own cultures. We'll also pitch additional microbes if a barrel isn't headed in a good direction at 6-12 months.
Ages - It can be helpful to have the same/similar beers of various ages so you can balance flavors. We've gotten better at judging which barrels just need more time, and which are headed in a bad direction and need to be dumped. That said, I don't have as much time to taste/monitor the barrels as I should and I still "miss" some good barrels leaving them in too long until they taste oxidized or off.
Think about the goals before you start. What is the concept? What other ingredients are you adding after blending? What is the target volume? Sometimes it is good to just taste barrels for inspiration, but that can be overwhelming when you have dozens of barrels to select from. I try to set a general schedule before the year starts. It keeps me on track for seasonal ingredients, sourcing barrels for finishing, and utilizing our staff/tank time rather than bunching up releases. I tend to earmark barrels as "potential" candidates for a blend, ideally twice as many barrels as a blend would require.
From there, I go to our barrel-spreadsheet (more info). I filter for beers with enough age, appropriate bases, removing barrels that are already earmarked for other projects. Lots of releases overlap, say I fill five barrels with sour red and hope to get a two-barrel blend plain and a two-barrel blend with fruit. Hopefully I have an "orphan" barrel that was passed over from last year or another similar base that didn't fit in its blend available for variety. Then I start pulling nails and tasting to gauge my options. I note barrels that need more time and those that are running out of time. Hopefully that narrows down my choices to five barrels at most for a two or three barrel blend.
Then I pull larger samples of those barrels so I have enough beer for a few blends without having to go back and pull more. When possible, I try to create full-barrel blends, although we occasionally keg-off partial barrels for future blending stock. In the same way if a blend is missing a little something, I'll take a look through our kegs and see if there is an option that satisfies the need.
I usually break down my options by acidity. If two barrels are a bit too acidic and two are not acidic enough, I'll try blending my favorite from each camp together to see where that gets me. Then swap in the other if there is something that doesn't work. Once I get a solid blend, I might go hunting for a little something extra. For example we were just blending a sour red, and ended up with a little 3+ year-aged Vin de Cereale (strong sour red) as a low-percentage malt-booster bringing perceived sweetness and more oak.
In terms of the practicalities of blending, I usually use volume. Weight works, but I tend not to worry about extreme precision because the volume in each barrel can differ by 5-10% anyway. For each blend I start with an empty cup to avoid issues with tracking when you take a sip, dose in more and then don't really know the ratio.
Finally, I write down the winning blend. When possible, I come back and taste the blend on a fresh palate later, ideally with someone who wasn't involved in the initial blend (since that is how the majority of people drinking the beer will approach it).
Blending takes time and practice, but one thing that has been immensely helpful is blending with other people. Some of my favorite collabs are sensory rather than recipe-based. There isn't often much I get out of brewing a collab beer, instead we invite in other brewers to taste through our barrels and help select a blend, brainstorm adjuncts etc. Sam, Tim, and co. from Other Half helped blend Throwing Hearts. Jennings from Pen Druid came in to blend Life is Ridiculous. Mike Thorpe from Afterthought visited last week to blend an upcoming beer with hardy kiwi and New Zealand hops. We've done similar things on the stout side with Mike Saboe from Toppling Goliath and Eric Padilla from More/Open Outcry. Heck it's just great bringing in homebrew friends with good palates to help taste barrels, bounce ideas off... and just give me an excuse to pull samples!
Barrel #16
Beer: Golden Sour (Pils, 2-row, Chit, Wheat Malt, .5 lbs/bbl Aged Hops, 1.056)
Age: 16 Months
Barrel: 5th-fill Pinot Noir American Oak
Culture East Coast Yeast Flemish Ale
Notes: Rubbery funk, medium acid, bright, good
Barrel #19
Beer: Rings of Light (2-row, Chit, Malted Wheat, Unmalted Oats, 40 IBUs in Whirlpool, 1.062)
Age: 8 months
Barrel: 4th-fill Chardonnay American Oak.
Culture: Omega Brett C and Yeast Bay Amalgamation
Notes: Less acidic, funky, bright fruit, rubbery
Barrel #20
Beer: Marylandbic (Pils, Unmalted Wheat, Chit, .5 lbs/bbl 2014 Celeia pellets, 1.045)
Age: 35 months.
Barrel: 2nd-fill Chardonnay American Oak.
Culture: Omega Brett C and Yeast Bay Amalgamation (plus a house culture that was a repitch of a repitch in primary)
Notes: Loamy, a touch stale, bright lactic acid.
Barrel #62
Beer: Belgian Pale (Pilsner, Wheat Malt, Vienna, 15 IBUs Sterling First Wort, 1.048)
Age: 27 months
Barrel: 2nd-fill Cabernet Franc French Oak
Culture: SARA Saison Bernice
Notes: Sprite, tart, but not highly acidic.
Growth Rings is the rare bottle-conditioned sour that we didn't repitch with wine yeast, a good choice if you're looking to harvest bottle dregs!
(My personal notes from a few months ago)
Smell - Citrusy nose, apricot, hay, bright and fresh. Missing that big rubber that is present in most great lambics.
Appearance - Pale gold, clear, lots of bubbles, thick head, good retention. Great lacing.
Taste - Delicate acidity. Lemon, apricot, just a touch of rubber.
Mouthfeel - Snappy carbonation, medium-light body. Lighter bodied than a classic Gueuze.
Drinkability - In terms of drinkability, it’s my favorite recently. Lively, complex… but it isn't as gueuze-y.
Changes for Next Time - It has sort of a barrel-aged saison quality more than gueuze. Maybe that fresher whirlpool hop character from Rings of Light… that said I really like the result.
Brandon Hernández combed the desert and laid out a stellar septet of breweries to visit in Las Vegas.
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The worlds of beer and chicken have been aligned for ages, but it wasn’t until 2021 that chimaek, a Korean portmanteau for fried chicken and light beers, was welcomed into the Oxford English Dictionary.
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Bière de garde is a malty style of beer that is undiscovered to many. Translated to "beer for keeping," the style was traditionally brewed in Northern France and is known for its malt-focused, toasty taste, and slight sweetness.
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The event marks their collaboration with Beerenberg who have produced a syrup to complement the new wheat beer.
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The United States is home to more than 18,000 islands, and for travel lovers, many are worth adding to a list of must-see destinations. Luckily for craft beer enthusiasts, there are breweries located on several of these islands.
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(CLEVELAND,OH) – Great Lakes® Brewing Co. (GLBC) announces the release of new seasonal Cran Orange Wheat, a fruited wheat ale launching September in 6-Packs and Draft throughout all GLBC markets. […]
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Any beer can be a camping beer, of course, but here are some suggestions for cooling down after a hike or warming up around the firepit.
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These five U.S. breweries all make good beer. But for folks who have been there, they know that they’re in for an experience that doesn’t stop there.
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Thiols are sulfur-containing compounds that are often potent aromatics. The ones brewers are excited about are tropical, winey, and citrusy, while other thiols are intensely unpleasant with aromas of garlic or rotten eggs... which is why the thiol mercaptan is added to natural gas to alert people to leaks. The "skunky" aroma of light-struck beer is also 3-methyl-2-butene-1-thiol.
Unlike many other beer aromatics that require concentrations in the ppm (parts per million) or ppb (parts per billion) many thiols have an aroma threshold in the range of 5-70 ppt (parts per trillion). This means that it doesn't take much of them to be apparent, but also means that it doesn't require "high" concentrations to become dominant.
In terms of positive beer and wine aromatics, the thiols that get the most attention are 4MMP, 3MH, 3MHA, and 3S4MP. These have perceptions that range from passionfruit, to grapefruit, to rhubarb. These are the intense aromatics that give New Zealand Sauvignon Blanc wines their distinct aromas and are found free at low-levels in many New Zealand hops (as well as some other varieties from around the world).
Most of the thiols found in hops, malt, and other botanicals are bound and thus not active aromatically. Enzymes are required to free them. There are wine strains available capable of this, but getting those genes into brewer's yeast requires more work.
Bound thiols are found in both malt and hops, but levels vary widely. The bond in need of breaking comes in two "flavors" Cysteinylated (Cys) and Glutathionylated (Glu). The vast majority (90%+) in both malt and hops is Glu. The IRC7 gene in certain wine strains and Omega's Cosmic Punch can only work on the less common Cys. As a result, mash hops are most potentially beneficial for Cosmic Punch, as the enzymes in the mash (especially in the acid-protein rest temperature range) can help convert Glu to Cys. Luckily some less expensive hop varieties have the highest levels of bound thiols. We've used Saaz, Cascade, and Calypso with good results.
The more intense strains like Berkeley Yeast Tropics line and Omega's Helio Gazer, Star Party, and Lunar Crush can simply be added to a standard recipe with or without whirlpool hops. Rather than having more copies of the IRC7 gene, they have a wholly different gene which can free Glu-thiols directly. The IRC7 gene in Cosmic Punch is "sourced" from yeast, while patB Omega uses in the more assertive strains is from a bacteria (if transgenic CRISPR/Cas9 gene modification is a step too far for you). We fermented a kettle sour which only had a small dose of hexalone (isomerized hop extract for head retention) with London Tropics. The result was intensely passion-fruity, so much so that it could almost pass a fruit beer.
GM (genetically modified) yeast strains aren't allowed in commercial beers in many countries (e.g., Canada, New Zealand). As a result there are labs working with wild isolates capable of freeing thiols for co-fermentations (e.g., CHR Hansen - it is primarily marketed for NA beers) and breeding strains with heightened thiol freeing capabilities (e.g., Escarpment). Omega initially worked on yeast breeding between English ale and a wine strain capable of freeing thiols... our trials with it (Designer Baby) were interesting, but had too much of the wine strain's idiosyncrasies present (poor flocculation especially).
Pros:
-Intense aromatics that are otherwise impossible to achieve from hops, malt, and yeast
-Thiols have incredibly low aroma thresholds... measured in ppt (parts per trillion)
-Thiols are "free" no expensive hops or fruit required
-Thiols may help increase shelf-life by scavenging oxygen
Cons:
-Higher perceived "sulfur" aromatics are frequent in thiol-freeing strains
-Some brewers/consumers/countries prefer to avoid GM ingredients
-Thiols can be "one note"... is it really that different from adding a jar of passion fruit extract?
-Repitching the yeast doesn't make as much sense if you also want to brew English Ales, Porters/Stouts etc.
Initially there was a focus on maximizing thiol concentration. This could include colder fermentation temperatures, mash hops, and engineering strains with more assertive genes. Like most aspects of brewing (or cooking) maximizing a single flavor compound doesn't usually result in the best overall flavor or balance.
Thiols aren't typically a "primary" aromatic in beer, so a beer with over-the-top thiol concentration without anything to play off of can taste artificial. On the other hand, some of our heavily dry hopped DIPAs have tested at over 100X the flavor threshold for 3MH and still weren't the primary aroma thanks to competition from the "traditional" hop aromatics. From those test, I wouldn't worry about dry hopping removing all of the thiols.
As a general rule, I'd suggest using a more restrained approach to thiols in lighter/cleaner/simpler beers. It doesn't take much to add a unique twist to a lager or American wheat, where a double-dry-hopped DIPA or fruit beer may benefit from a much higher amount. In the end it's about your palate and goals for a beer.
In my experience expressing thiols doesn't make every hoppy beer better. They add a distinct note that can greatly enhance the perception of passionfruit-type aromatics. That is a wonderful contribution when you are leaning into those flavors, but can be distracting or muddle other flavors. For example, I love the "mango popsicle" aroma of great Simcoe. However, with one of the intense strains like London Tropics or Helio Gazer in an all-Simcoe beer can become more generically "tropical" rather than varietal "mango." On the other hand, when dry hopping with passion-fruity Galaxy, or brewing with actual passionfruit the thiol note helps to enhance the existing aromatics.
Hand-in-hand with thiol-expressing yeast goes Phantasm. It is essentially the dried and powdered remnants of the highest-thiol New Zealand Sauvignon Blanc grapes. As a result it comes with a high price-tag of ~$35/lb. It really doesn't smell like much before fermentation. Added to the whirlpool it adds a huge amount of bound thiols for the yeast to work on.
During fermentation I detect a distinct "white grape" flavor and aroma that I don't get from other thiol-expressing ferments that rely on grain and hops alone for bound precursors. A lot of this drops out with the yeast however and the finished beers are rarely as distinct. To my palate the added expense is hard to justify in a highly-dry-hopped beer where the thiols are competing against other big aromatics. Unless you lean into those aromatics with a hop like Nelson Sauvin. I like Phantasm best when it is paired with actual white wine grapes, or in a simple base where it can star.
We haven't used Berkely Yeast's "Thiol Boost" additive yet... but I'm just not that excited about a 15X increase on the already intense London Tropics level of 3MH. I'd be interested in herbs or additives that could push other unique thiol aromatics that we aren't getting from grain/hops.
At Sapwood Cellars, we've brewed a few dozen batches between Cosmic Punch, London Tropics, Lunar Crush, and experimental isolates. I've enjoyed most of them, but a handful stand-out as beers I loved!
Cosmic Rings: Galaxy and Citra is one of our favorite combinations... but we have had a difficult time sourcing great Galaxy (that doesn't taste like honey roasted peanuts). This all-Citra double-dry-hopped pale ale starts with New Zealand Taiheke (Cascade) in the mash and kettle. It's one of our favorite whirlpool hops because it is low alpha acid and has a beautiful tropical aroma... not to mention a lower price compared to other New Zealand varieties like Nelson Sauvin and Riwaka. Then we ferment with Omega's Cosmic Punch which brings some tropical aromatics without becoming distracting or artificial. Finally we dry hop with Citra and Citra Cryo at a combined 3 lbs/bbl.
Tropical Pop: Kettle sour fermented with Berkeley Yeast London Tropics along with passion fruit and mango purees. Passion fruit is expensive, fermenting with London Tropics boosted the passion fruit aroma allowing us to use less without sacrificing the aroma intensity.
Field Learning: As a homebrewer I loved being able to dump a bottle of thiol-rich New Zealand Sauvignon Blanc into a keg of mixed-ferm saison. That wouldn't be legal commercially, but what we did for this collab with Bissell Brothers was to brew a restrained base with Hallertau Blanc in the mash and Phantasm in the whirlpool and age it in fresh Sauvignon Blanc barrels along with Bissell's house culture. After a year we added fresh Chardonnay grapes from Crow Vineyards here in Maryland. The tropical notes from the thiols survived barrel aging and gave the beer depth we wouldn't have gotten from grapes and barrel alone.
Are thiols a scam? No, but they also aren't an innovation that fundamentally changes what it takes to make a delicious beer. Consider a thiol-freeing yeast when additional passionfruit-type aromatics will enhance your beer. Don't worry about maximizing the thiols unless you they will be competing against other strong aromatics.
I suspect that this is just the lead in to even more exotic genetically modified yeast strains (we have a pitch of Berkeley's Sunburst Chico which is modified to express high levels of pineapple-y ethyl butyrate). If you can produce a flavor compound without the cost, environmental impact, variability of growing it I suspect the economic pressures will be too great! That said, making delicious beers isn't about maximizing one or two compounds (in the same way that vanilla flavoring is inexpensive, but doesn't fully replace the depth and complexity of real vanilla beans).
Jerry Franck, an Academy Award-nominated documentary filmmaker, followed a few notable lambic breweries to help sustain what many see as an anachronistic approach to beer making.
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American craft breweries are known for their ability to strengthen community connections. These three breweries are case in point.
The post Beyond the Beer: Three Breweries Serving Their Communities appeared first on CraftBeer.com.
Many chefs are finding the sweet spot for beer and smoked food, managing the level of smoke intake for a more pleasurable meal.
The post Smoke and a Beer appeared first on CraftBeer.com.
In a way, purchasing the Black Elks’ building was like coming home for Ken Carson. The building sits in a part of Albuquerque, N.M., he describes as “the ’hood.” Carson once lived here before moving to the more affluent Northeast Heights in the 1960s, where he attended high school with only three other Black students. […]
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We started this series of IPAs when we opened to showcase our favorite hop varieties. We recently released #22 (Citra-Motueka). All of the batches were 6.5-7.5% ABV, with similar malt bills (American pale barley, chit, wheat, and oats), fermented with an English-leaning yeast, and dry-hopped post-crash at 3-4 lbs/bbl. The table below is the average Untappd score of all batches dry hopped with the variety listed.
Hop | Average |
Motueka | 4.221 |
Nelson | 4.190 |
Azacca | 4.188 |
Citra | 4.177 |
Riwaka | 4.169 |
Amarillo | 4.163 |
Simcoe | 4.162 |
Galaxy | 4.155 |
Mosaic | 4.144 |
Columbus | 4.129 |
Hydra | 4.122 |
Vic Secret | 4.122 |
Strata | 4.107 |
The table below include all 65 "big batch" IPAs and DIPAs we've released that don't contain adjuncts (although I did include Phantasm beers). These are diverse in terms of recipe construction, alcohol strength, and dry hopping rate. As a result, the scores are a bit more prone to bias compared to the Cheater Hops data set.
Hop | Average |
Galaxy | 4.220 |
Hallertau Blanc | 4.220 |
Cashmere | 4.217 |
Nelson | 4.203 |
Motueka | 4.186 |
Mosaic | 4.186 |
Citra | 4.185 |
Simcoe | 4.178 |
Azacca | 4.157 |
Riwaka | 4.150 |
Amarillo | 4.141 |
Vic Secret | 4.131 |
Taiheke | 4.130 |
Columbus | 4.129 |
Strata | 4.113 |
Hydra | 4.096 |
Talus | 4.090 |
Sabro | 4.075 |
Lotus | 4.040 |
Idaho Gem | 4.010 |
Lemondrop | 4.010 |
Sultana | 3.990 |
For some batches you'd expect to see a high rating due to pairing two great hops together (e.g., Nelson/Galaxy or Mosaic/Citra). Both varieties score well across all our beers, so no surprise combing them results in a well-rated IPA. More interesting is sorting by the average standard deviation for the hops included. This shows which combinations rated higher than expected given the average scores for those hops across all beers. Snip Snap (Citra/Galaxy), Cheater Hops #22 (Citra/Motueka), Shard Blade (Mosaic/Galaxy), Cheater Hops #13 (Mosaic/Simcoe), and The Dragon (Nelson Sauvin/Mosaic/Hallertau Blanc) were all in the top-10 "overachievers." These hop blends follow different approaches either "leaning into" a particular flavor (fruity, or winey) or balancing fruity with a danker variety.
Rounding out the top-10 are two all-Simcoe (Cheater Hops #12 and Drenched in Green), two all-Mosaic (Fundle Bundle and TDH Trial #1), and an all-Nelson beer (3S4MP). Certainly a sign that these hops can shine alone compared to Citra and Motueka which are highly rated in blends, but haven't exceled in single-hop beers (despite our best efforts). Of course you need a great lot of hops for this to work; the bottom-10 also includes single-hop beers featuring: Simcoe (Cheater Hops #9), Nelson Sauvin (Cheater Hops #11), and Mosaic (Fumble Bumble)!
Two beers with Galaxy and Nelson (Cheater X and X2) each had a standard deviation close to 0. They still rate well, but no better or worse than expected across all beers with Nelson or Galaxy.
Surprisingly three of the bottom four included three varieties Cheater Hops #7 (Simcoe, Citra, Mosaic) Cheater Hops #6 (Motueka, Mosaic, Simcoe) False Peak (Idaho 7, Sultana, Citra). Blending hops can create a generic "hoppiness." These beers may have been missing a distinct "wow" aroma for people to grab onto.
The high/low scores for different batches brewed with the same single hop variety really drives home how unreliable this data likely is. Without multiple batches hopped with the same hop combination, it is impossible to say with certainty if a beer scored well because of aromatic synergy or a delicious lot of hops. Luckily several of the top-rated combinations are beers we have brewed multiple times.
The data does suggest to me that using one or two varieties for the dry hop is the best bet for making the most appealing IPA unless you have something very specific in mind. Often when breweries use a large number of hop varieties in a beer it is to promote consistency (batch-to-batch and year-to-year). It would be interesting to expand the data set to include beers from other breweries. That would produce data that is less specific to our particular brewing approach, hop sourcing, and customers' palates.