Deeds Brewing release three hazies including one exclusively with Beer Cartel.
The post The good Deeds continue with three more hazies appeared first on Beer & Brewer.
pale
Sydney Brewery’s Pilsner wins best in show at Queensland’s top beer awards.
The post The secret to the success of the quiet achievers appeared first on Beer & Brewer.
Frenchies Bistro & Brewery release three new IPAs plus we revisit some old favourites.
The post French flair for the classics and the contemporary appeared first on Beer & Brewer.
The team behind well-known Sydney brewery to open a brewpub in country NSW.
The post Nomad go overland with new Mudgee brewery appeared first on Beer & Brewer.
Sydney brewery’s expansion includes new tanks, canning line and dedicated barrel room.
The post Wayward to increase capacity by 25 per cent appeared first on Beer & Brewer.
New Zealand-Style Pale Ale and India Pale Ale added to BA’s style guidelines.
The post New Zealand Pale Ales added to style guide appeared first on Beer & Brewer.
New Kiwi hop receives its highest profile Australian release since being officially named.
The post Nectaron’s nectar shines in 4 Pines release appeared first on Beer & Brewer.
Sales of adjunct-laden, higher alcohol sweeter beers have boomed in Australia.
The post Go big and stay home: the rise of the dessert beer appeared first on Beer & Brewer.
Go behind the Counter Culture series with their head brewer and innovation manager.
The post Stone & Wood’s 10 week cycle of ‘fresh air’ appeared first on Beer & Brewer.
Brewpubs boost flavor on their menus by pouring their beers into the pizza dough and serving up the perfect slice.
The post Beer-infused Pizza Dough is a Perfect Brewpub Pairing appeared first on CraftBeer.com.
“Champion Brewery” has a nice ring to it, and that’s just what Beer52 — a United Kingdom based craft beer cultivation and subscription organization that serves thousands of international brews annually throughout the UK — has named The Virginia Beer Company. There is no secret that Williamsburg’s Virginia Beer Co. loves sharing beers & cheers […]
The post Virginia Beer Co. Receives Top International Recognition appeared first on CraftBeer.com.
Though not a recognized beer style, Golden Stout has been popularized by many craft breweries as a bit of a novelty beer. This week we take a look at how to brew one. What is a Golden Stout? A golden stout is technically a beer that tastes like a rich dark stout, but without the […] The holidays are an opportunity to combine your favorite beer styles with your favorite foods. Here is some simple holiday beer pairing advice.
The post Simple Holiday Beer and Food Pairings appeared first on CraftBeer.com.
Mitch Steele joins me this week to discuss brewing low-calorie and low carbohydrate beer as well as seltzer. Subscribe on iTunes to Audio version or Video version or Spotify or Google Play Download the MP3 File– Right Click and Save As to download this mp3 file. Your browser does not support the audio element. Topics […] Gordon Strong joins me for a discussion on German Lager beer styles and some tips for making the perfect lager. Subscribe on iTunes to Audio version or Video version or Spotify or Google Play Download the MP3 File– Right Click and Save As to download this mp3 file. Your browser does not support the audio […] 272 medals awarded to 240 breweries in world’s most prestigious professional beer competition Boulder, Colo. • October 16, 2020 — The Brewers Association (BA) awarded 272 medals* to 240 breweries across the country during the 2020 Great American Beer Festival (GABF) competition awards ceremony. The best beers in 91 beer categories covering 170 different beer styles (including all subcategories) were awarded gold, silver, and bronze medals during a virtual ceremony hosted on The Brewing Network. Judges for the 34th edition of […]
The post Winners of 2020 Great American Beer Festival Competition Revealed During First-Ever Virtual Ceremony appeared first on CraftBeer.com.
Fall is in the air and that means one thing: harvest season! Brewing with fresh hops is a meticulous process, having to rely on bountiful bines and timing of wet hops plucked, packaged, and shipped overnight via air freight to align with a brew day built around the arrival of those hops and those hops alone…and this […]
The post Virginia Beer Co. Celebrates Harvest Season With Two Wet-Hopped Recipes appeared first on CraftBeer.com.
Any long-time readers may recall my interest in the original Russian Imperial Stouts – brewed in England with four malts (pale, amber, brown, and black) plus caramelized sugar. Fermented with English ale yeast and Brettanomyces. They bear about as much resemblance to modern pastry stouts as the original English-brewed IPAs do to today’s hazies and milkshakes.
Of the many recipes from this blog that we’ve adapted to the big system at Sapwood Cellars (Atomic Apricot, Cherry Wine, Tmavé Pivo, Scottish Stout, Cheater Hops, Saphir Pilsner, Berliner etc.) my Courage RIS-Inspired is probably the one I was most excited about! We closely followed the original recipe from 2007 (which I preferred to the 2016 rebrew). Last summer we released the base beer (Lord Rupert Everton), followed last fall by Lord Rupert Barrelton which had a quick dip in barrels that held Cognac Finish Rye Whiskey from Sagamore Spirits.
After refilling the barrels from kegs of the same base beer, we pitched the same strain of Brett I used for the original, WY5110 Wyeast Brett anomalus. It's been out of production since 2007, but I asked everyone I could think of (starting with Wyeast) and no one had the strain available… French microbiologist Christophe Pinchon to the rescue! We’d already gotten “his” Willner Brett strain second hand for our gose (Salzig). The culture he sent started up quickly and I pitched half of an active 2L starter into each 80 gallon barrel in September… then not much happened. The Brett didn’t produce any CO2 or reduce the gravity over six months. Originally, we planned to bottle the beer once it stabilized, but without any apparent fermentation we decided we were better off kegging the beer as Sir Rupert Barrelton.
Sir Rupert Barrelton
Smell – Loamy, with fresher notes of Tootsie Roll (from the malt) and coconut/vanilla (from the barrel). I really have a hard time figuring out it that earthy note is Brett, or just mild oxidation from time warm in the barrels. The spirit-character is relatively subtle, but is enough to immediately make it clear this isn’t an authentic take.
Appearance – Black with chestnut edges. Pretty good dark brown head. Solid retention.
Taste – Smooth flavor without any sharpness from the roast. The Maris Otter and Amber malt help to fill-in the background of the black malt. Plenty of baking soda prevents the roast-acidity that can cause stouts to become acrid. The dark candi syrup brings a subtle dark fruitiness without being obnoxiously raisin/plum like dark crystal can be.
Mouthfeel – Not as thick as stout drinkers are used to (I’ve seen some stouts finish above 1.080 now… and I used to think Dark Lord’s 1.060+ was absurd)! Low carb, just how I like by big/dark beers.
Drinkability & Notes – It’s a unique beer compared to the other more “modern” stouts we brew. The “reasonable” FG of 1.026 makes it easier to drink than the typically sweeter ones. I like the depth of the combination of barrel-character and malt. The age/Brett give it additional complexity. If you are in Maryland and want to try the beer we'll have it available in crowlers the next month or so.
Changes for Next Time – Maybe it was the alcoholic boost from the barrel that prevented the Brett from doing more? Better to use more neutral barrels, or stainless with oak barrel-alternatives. We refilled the barrels with a riff on my Big Funky Ale and pitched additional microbes. It would be fun to try making our own invert no.4 to replace the dark candi syrup.
Courage RIS Inspired 2016
Smell – Brett (cherry, funk, dusty). The Brett C really covers up the malt almost completely in the nose. Blind I suspect I’d lean towards calling it an Oud Bruin.
Appearance – Black with dark-brown edges. Big tan head that is held up by the carbonation for a few minutes before deflating.
Taste – Stout-ier than the nose, with some cocoa notes. However, the Brett is still the primary flavor. Some nutty (almost peanut brittle) flavors from the malts. Moderate bitterness.
Mouthfeel – Carb is similar to what I remember, higher than I’d prefer. A little thin, although once the carbonation is swirled-down it improves.
Drinkability & Notes – It’s a bit beer with a lot of funk, plenty of alcohol, and a bit too much carbonation, not exactly a beer I (or many) would drink quickly.
Courage RIS Inspired 2007
Smell – Oaky. Unlike Sir Rupert, it is the wood rather than spirit coming through. Not damp basement, and not Home Depot lumber aisle either. Just a pleasant vanilla-sugar cookie woodiness. A hint of licorice. The roasty-toasty malt is there, but is subtle. Like Sir Rupert the Brett is restrained, honestly makes me more confident that the Brett really did do “something” in the fresher beer.
Appearance – Black with chestnut highlights. Head pours small and drops quickly.
Taste – Every bit as good as it was 10 years ago. Cookie-toasty, vanilla-oaky, cocoa-roasty, and leather-earthy. It is relatively dry for a beer this big, but the bitterness is mostly gone too. I don’t get any wet paper, or any other signs of detrimental oxidation.
Mouthfeel – The body a bit thin, but considering I brewed it when I was 24 and I’m 37 now I can’t complain! A testament to my beginner's luck… and metabisulfite. Carbonation is low, but I wouldn’t mind if it was even lower.
Drinkability & Notes – What can I say about a beer I brewed more than 1/3 of my life ago? The other two are good beers that I enjoy, this one is something special. A huge range of flavors that all work in unison. Sadly this is my last bottle.
Of the many recipes from this blog that we’ve adapted to the big system at Sapwood Cellars (Atomic Apricot, Cherry Wine, Tmavé Pivo, Scottish Stout, Cheater Hops, Saphir Pilsner, Berliner etc.) my Courage RIS-Inspired is probably the one I was most excited about! We closely followed the original recipe from 2007 (which I preferred to the 2016 rebrew). Last summer we released the base beer (Lord Rupert Everton), followed last fall by Lord Rupert Barrelton which had a quick dip in barrels that held Cognac Finish Rye Whiskey from Sagamore Spirits.
After refilling the barrels from kegs of the same base beer, we pitched the same strain of Brett I used for the original, WY5110 Wyeast Brett anomalus. It's been out of production since 2007, but I asked everyone I could think of (starting with Wyeast) and no one had the strain available… French microbiologist Christophe Pinchon to the rescue! We’d already gotten “his” Willner Brett strain second hand for our gose (Salzig). The culture he sent started up quickly and I pitched half of an active 2L starter into each 80 gallon barrel in September… then not much happened. The Brett didn’t produce any CO2 or reduce the gravity over six months. Originally, we planned to bottle the beer once it stabilized, but without any apparent fermentation we decided we were better off kegging the beer as Sir Rupert Barrelton.
Sir Rupert Barrelton
Smell – Loamy, with fresher notes of Tootsie Roll (from the malt) and coconut/vanilla (from the barrel). I really have a hard time figuring out it that earthy note is Brett, or just mild oxidation from time warm in the barrels. The spirit-character is relatively subtle, but is enough to immediately make it clear this isn’t an authentic take.
Appearance – Black with chestnut edges. Pretty good dark brown head. Solid retention.
Taste – Smooth flavor without any sharpness from the roast. The Maris Otter and Amber malt help to fill-in the background of the black malt. Plenty of baking soda prevents the roast-acidity that can cause stouts to become acrid. The dark candi syrup brings a subtle dark fruitiness without being obnoxiously raisin/plum like dark crystal can be.
Mouthfeel – Not as thick as stout drinkers are used to (I’ve seen some stouts finish above 1.080 now… and I used to think Dark Lord’s 1.060+ was absurd)! Low carb, just how I like by big/dark beers.
Drinkability & Notes – It’s a unique beer compared to the other more “modern” stouts we brew. The “reasonable” FG of 1.026 makes it easier to drink than the typically sweeter ones. I like the depth of the combination of barrel-character and malt. The age/Brett give it additional complexity. If you are in Maryland and want to try the beer we'll have it available in crowlers the next month or so.
Changes for Next Time – Maybe it was the alcoholic boost from the barrel that prevented the Brett from doing more? Better to use more neutral barrels, or stainless with oak barrel-alternatives. We refilled the barrels with a riff on my Big Funky Ale and pitched additional microbes. It would be fun to try making our own invert no.4 to replace the dark candi syrup.
Courage RIS Inspired 2016
Smell – Brett (cherry, funk, dusty). The Brett C really covers up the malt almost completely in the nose. Blind I suspect I’d lean towards calling it an Oud Bruin.
Appearance – Black with dark-brown edges. Big tan head that is held up by the carbonation for a few minutes before deflating.
Taste – Stout-ier than the nose, with some cocoa notes. However, the Brett is still the primary flavor. Some nutty (almost peanut brittle) flavors from the malts. Moderate bitterness.
Mouthfeel – Carb is similar to what I remember, higher than I’d prefer. A little thin, although once the carbonation is swirled-down it improves.
Drinkability & Notes – It’s a bit beer with a lot of funk, plenty of alcohol, and a bit too much carbonation, not exactly a beer I (or many) would drink quickly.
Courage RIS Inspired 2007
Smell – Oaky. Unlike Sir Rupert, it is the wood rather than spirit coming through. Not damp basement, and not Home Depot lumber aisle either. Just a pleasant vanilla-sugar cookie woodiness. A hint of licorice. The roasty-toasty malt is there, but is subtle. Like Sir Rupert the Brett is restrained, honestly makes me more confident that the Brett really did do “something” in the fresher beer.
Appearance – Black with chestnut highlights. Head pours small and drops quickly.
Taste – Every bit as good as it was 10 years ago. Cookie-toasty, vanilla-oaky, cocoa-roasty, and leather-earthy. It is relatively dry for a beer this big, but the bitterness is mostly gone too. I don’t get any wet paper, or any other signs of detrimental oxidation.
Mouthfeel – The body a bit thin, but considering I brewed it when I was 24 and I’m 37 now I can’t complain! A testament to my beginner's luck… and metabisulfite. Carbonation is low, but I wouldn’t mind if it was even lower.
Drinkability & Notes – What can I say about a beer I brewed more than 1/3 of my life ago? The other two are good beers that I enjoy, this one is something special. A huge range of flavors that all work in unison. Sadly this is my last bottle.
With our first anniversary (and party) coming up, I wanted to write a post on one of the many areas I didn't know anything about as a homebrewer that goes into an event like this. One of my many hats at Sapwood Cellars is compliance. It is a necessary part of the dream job, but luckily not the whole thing! It includes things like record keeping, filing excise taxes, and TTB submissions for formula and label approvals. The taxes took awhile to get used to, but aren't that bad now that we have adequate record keeping procedures in place.
We're lucky to be in that Maryland doesn't require federal COLA label approval for in-state distribution. So we're just now getting into that as we've recently been approved to sell beer in Virginia, DC, California, and Oregon. Don't get your hopes up, for now it's just small shipments for festivals and events (e.g., Modern Times Festival of Dankness, Aslin Anniversary Party, Snallygaster). So far it hasn't been too burdensome, mostly just getting the templates for our labels and keg collars in spec, and then learning what words are required or problematic. It is a bit more work given the wide variety of beers we produce (more than 150 in our first year), but most of those are tasting room only.
The more annoying piece is formula approvals (FONL). Despite what several brewers have told me, formula approvals are required any time you are adding ingredients not in the list of Exempt Ingredients and Processes regardless of whether label approval is required or where/if the beer will be distributed. I called the TTB and had my understanding confirmed. True, the odds of getting in trouble for not having an approved formula are low for a beer that stays in state (especially taproom only), but as a long-time government employee I'm just not an "ask for forgiveness" kind of person. The issue is that it seems approvals are really subjective/inconsistent.
Last fall I'd requested a formula with acorns, to do a small batch with the acorns I dry-fermented. I was rejected. Well that isn't entirely true, what the TTB usual responds is to request the GRAS (Generally Regarded as Safe) notification from the FDA for the ingredient in question. The issue is that they know well that the most ingredients aren't on there, and that the only way to get it there would be to fund a study showing its safety. As a result, most of "GRAS" substances are specific chemical compounds (e.g., Xylooligosaccharides from sugarcane, Ergothionine, and Synthetic dihydrocapsiate) that large companies have gotten through. You know what isn't on there? Apples, while apple peel powder is. Oranges, but orange pomace and enzyme-treated orange pomace is. You get the idea.
When I contacted the FDA about acorns they responded that while acorns were not GRAS, I could use "tannic acid extracted from nutgalls or excrescences that form on the young twigs of Quercus infectoria Oliver and related species of Quercus." Pass...
Recently I saw another brewer mention that they had gotten acorn flour approved (but were still requires submission of a "tannin leaching" process). I submitted a formula for a dark saison with acorn flour, and was rejected again, but this time for the reason that acorn flour is approved without a request being required. Not sure what grinding the acorns up does to change it from requiring FDA study to being allowed without even having to submit a formula request.
Something similar happened with Staghorn Sumac (which I'd used at home with wonderful results). GRAS notification was requested from my submission, which annoyed me because I've had several commercial beers brewed with. I responded:
Maybe I am misunderstanding the GRAS Notices? It doesn't seem to include most of the typical ingredients added to beer, e.g., hops or barley. Most of the entries are for chemical compounds or specific extractions from plants, not fruits, vegetables, or other commonly consumed foodstuffs? Rhus typhina (staghorn sumac) has been made into a lemonade-like drink for centuries. Here is an info sheet from North Dakota State on the species, that includes: "Food - Sumac lemonade made from berries."
Three weeks later and my formula was approved without further comment...
I've got nothing against safety rules on what goes into beer. I'd just prefer they were clearly delineated and widely followed.
Since both of these ingredients are foraged and thlimited, we decided to make 15 gallon variants with each for the anniversary party. A barrel-aged dark saison (based on Funky Dark #4) for the acorns and a pale sour fermented with The Yeast Bay Melange for the Sumac!
We're lucky to be in that Maryland doesn't require federal COLA label approval for in-state distribution. So we're just now getting into that as we've recently been approved to sell beer in Virginia, DC, California, and Oregon. Don't get your hopes up, for now it's just small shipments for festivals and events (e.g., Modern Times Festival of Dankness, Aslin Anniversary Party, Snallygaster). So far it hasn't been too burdensome, mostly just getting the templates for our labels and keg collars in spec, and then learning what words are required or problematic. It is a bit more work given the wide variety of beers we produce (more than 150 in our first year), but most of those are tasting room only.
The more annoying piece is formula approvals (FONL). Despite what several brewers have told me, formula approvals are required any time you are adding ingredients not in the list of Exempt Ingredients and Processes regardless of whether label approval is required or where/if the beer will be distributed. I called the TTB and had my understanding confirmed. True, the odds of getting in trouble for not having an approved formula are low for a beer that stays in state (especially taproom only), but as a long-time government employee I'm just not an "ask for forgiveness" kind of person. The issue is that it seems approvals are really subjective/inconsistent.
Last fall I'd requested a formula with acorns, to do a small batch with the acorns I dry-fermented. I was rejected. Well that isn't entirely true, what the TTB usual responds is to request the GRAS (Generally Regarded as Safe) notification from the FDA for the ingredient in question. The issue is that they know well that the most ingredients aren't on there, and that the only way to get it there would be to fund a study showing its safety. As a result, most of "GRAS" substances are specific chemical compounds (e.g., Xylooligosaccharides from sugarcane, Ergothionine, and Synthetic dihydrocapsiate) that large companies have gotten through. You know what isn't on there? Apples, while apple peel powder is. Oranges, but orange pomace and enzyme-treated orange pomace is. You get the idea.
When I contacted the FDA about acorns they responded that while acorns were not GRAS, I could use "tannic acid extracted from nutgalls or excrescences that form on the young twigs of Quercus infectoria Oliver and related species of Quercus." Pass...
Recently I saw another brewer mention that they had gotten acorn flour approved (but were still requires submission of a "tannin leaching" process). I submitted a formula for a dark saison with acorn flour, and was rejected again, but this time for the reason that acorn flour is approved without a request being required. Not sure what grinding the acorns up does to change it from requiring FDA study to being allowed without even having to submit a formula request.
Something similar happened with Staghorn Sumac (which I'd used at home with wonderful results). GRAS notification was requested from my submission, which annoyed me because I've had several commercial beers brewed with. I responded:
Maybe I am misunderstanding the GRAS Notices? It doesn't seem to include most of the typical ingredients added to beer, e.g., hops or barley. Most of the entries are for chemical compounds or specific extractions from plants, not fruits, vegetables, or other commonly consumed foodstuffs? Rhus typhina (staghorn sumac) has been made into a lemonade-like drink for centuries. Here is an info sheet from North Dakota State on the species, that includes: "Food - Sumac lemonade made from berries."
Three weeks later and my formula was approved without further comment...
I've got nothing against safety rules on what goes into beer. I'd just prefer they were clearly delineated and widely followed.
Since both of these ingredients are foraged and thlimited, we decided to make 15 gallon variants with each for the anniversary party. A barrel-aged dark saison (based on Funky Dark #4) for the acorns and a pale sour fermented with The Yeast Bay Melange for the Sumac!
Whether you are a homebrewer or a craft brewer, things don't always go as expected or something breaks. If you aren't ready, it could cost you a batch or delay a brew. In the worst case scenario a company can go out of business, making a replacement part difficult and expensive to procure. More than once we haven't had a (seemingly) small inexpensive thing and it caused issues. Learn from us (and chime in with your own suggestions)!
Yeast
If you use liquid cultures, there is always a chance that your starter won't start or your brink will run dry. We always keep a couple bricks of dried yeast on hand. On a commercial scale, SafAle is ridiculously inexpensive ($50-75 for 500 g). We always have a brick of US-05 and S-04 in the cooler. The strains you keep will depend on what strains you use. If nothing else, we'll use them for primary fermentation on sour beers when we don't have enough liquid yeast harvested.
Being friendly with a few other local brewers could be handy as well, but there usually isn't a guarantee they'll have yeast to spare at the last minute.
Fermentables
I find it helpful to have both dextrose and maltodextrin on hand. We had a DIPA dry out a few points too far, easy enough to boil a pot of maltodextrin, keg it and shoot it into the brite tank to add .004/1P. Dextrose is handy if your gravity is lower by a few points, although in most cases we'll just leave the beer alone. Dried pale malt extract is another option, especially if your efficiency is inconsistent (or you often brew really strong beers).
It never hurts to order a few extra bags of a favorite malts either, especially for things like Golden Naked Oats that often seem to be out of stock. Extra base malt is nice too, especially early on when you're ordering ingredients for a few batches and still feeling out system efficiency.
Hops
Buying on the spot market means sometimes you get a bag that isn't all it should be. Better to have a few back-up options to swap in for dry hopping. Mediocre hops are usually fine in the boil, so if we open a bag of Simcoe that is so-so, we'll open another and save the first for a boil/whirlpool addition.
Fittings/Gaskets
We try to have at least one "extra" gasket in each size. This is especially true for things like manways that aren't generic. Unluckily we didn't think of this before the gasket on our 15 bbl DME fermentor stretched out... now they're out of business and we're still working to find a replacement. The one we have still works, but likely won't forever. If we order anything new, we get replacement seals and parts for it at the same time.
Same goes for having extra valves and other fittings that might leak or stop working. Delicate instruments like hydrometers, thermometers, refractometers never hurt to have redundancy either.
Controllers
Nothing is worse that electronics that don't want to work properly. Our MidCo burner for the kettle has a small control board that shorts if a few drops of water fall onto it. The first time was a complete surprise after washing down the kettle, but we ordered two replacements. That saved a batch of beer a few months later after a boil-over (our new gas meter really increased the heat output). No problems since adding a water-proof cover...
I've been meaning to buy a few extra solinoids for the glycol/tanks too as they are notorious for going bad.
Enzymes
When our most recent batch of saison stalled out we were ready for it, we added amyloglucosidase and the gravity dropped quickly to 1.001. There are other enzymes that you might consider as well that help with conversion, run-off, and clarity as well.
Gasses
While we have a bulk CO2 tank, we also have a few smaller tanks. They're necessary to pour at events, but they're also nice to have if the bulk tank runs empty and we need to keep pouring beer! Same story with nitrogen. We have two tanks so we have one in use and one filled (or waiting to be swapped).
Your Suggestions
Rather than waiting for more things to go wrong to learn what else we should have, post a comment and let me know what to buy!
Yeast
If you use liquid cultures, there is always a chance that your starter won't start or your brink will run dry. We always keep a couple bricks of dried yeast on hand. On a commercial scale, SafAle is ridiculously inexpensive ($50-75 for 500 g). We always have a brick of US-05 and S-04 in the cooler. The strains you keep will depend on what strains you use. If nothing else, we'll use them for primary fermentation on sour beers when we don't have enough liquid yeast harvested.
Being friendly with a few other local brewers could be handy as well, but there usually isn't a guarantee they'll have yeast to spare at the last minute.
Fermentables
I find it helpful to have both dextrose and maltodextrin on hand. We had a DIPA dry out a few points too far, easy enough to boil a pot of maltodextrin, keg it and shoot it into the brite tank to add .004/1P. Dextrose is handy if your gravity is lower by a few points, although in most cases we'll just leave the beer alone. Dried pale malt extract is another option, especially if your efficiency is inconsistent (or you often brew really strong beers).
It never hurts to order a few extra bags of a favorite malts either, especially for things like Golden Naked Oats that often seem to be out of stock. Extra base malt is nice too, especially early on when you're ordering ingredients for a few batches and still feeling out system efficiency.
Hops
Buying on the spot market means sometimes you get a bag that isn't all it should be. Better to have a few back-up options to swap in for dry hopping. Mediocre hops are usually fine in the boil, so if we open a bag of Simcoe that is so-so, we'll open another and save the first for a boil/whirlpool addition.
Fittings/Gaskets
We try to have at least one "extra" gasket in each size. This is especially true for things like manways that aren't generic. Unluckily we didn't think of this before the gasket on our 15 bbl DME fermentor stretched out... now they're out of business and we're still working to find a replacement. The one we have still works, but likely won't forever. If we order anything new, we get replacement seals and parts for it at the same time.
Same goes for having extra valves and other fittings that might leak or stop working. Delicate instruments like hydrometers, thermometers, refractometers never hurt to have redundancy either.
Controllers
Nothing is worse that electronics that don't want to work properly. Our MidCo burner for the kettle has a small control board that shorts if a few drops of water fall onto it. The first time was a complete surprise after washing down the kettle, but we ordered two replacements. That saved a batch of beer a few months later after a boil-over (our new gas meter really increased the heat output). No problems since adding a water-proof cover...
I've been meaning to buy a few extra solinoids for the glycol/tanks too as they are notorious for going bad.
Enzymes
When our most recent batch of saison stalled out we were ready for it, we added amyloglucosidase and the gravity dropped quickly to 1.001. There are other enzymes that you might consider as well that help with conversion, run-off, and clarity as well.
Gasses
While we have a bulk CO2 tank, we also have a few smaller tanks. They're necessary to pour at events, but they're also nice to have if the bulk tank runs empty and we need to keep pouring beer! Same story with nitrogen. We have two tanks so we have one in use and one filled (or waiting to be swapped).
Your Suggestions
Rather than waiting for more things to go wrong to learn what else we should have, post a comment and let me know what to buy!
The excitement over hazy/NE IPA is the best thing that has happened for local breweries in a long time. They are expensive to brew, difficult to package, a nightmare to distribute long distances, and get beer drinkers excited! When we put a juicy Double IPA on tap it flies. Our recent 7-barrel-yield of Snip Snap lasted less than three days, while an IPA might last three weeks, and a pale ale five. Having a beer that draws increases growler sales, and helps sell all of our other beers as people end up trying other similar beers when they come in.
10 bbls – Pillowfort
$484 – 2-row
$137 – Malted Oats
$40 – Chit Malt
$50 – Milling Fee
$11 – Glucose
$.80 - Whirlfloc
$.06 - Zinc Sulfate Heptahydrate
$1 – Calcium Chloride
$1 – Gypsum
$.25 – Epsom Salt
$2.00 – 350 ml 75% Phosphoric Acid
$125 – Liquid yeast
$150 – Dry yeast
$77 – Columbus
$99 – Centennial
$396 – Citra
$264 – Azacca
~$100 – CO2/Gas/Electric/Chemicals
($1950/batch - $1.11/pour)
Let’s say we put more effort into yeast management and that gives us confidence to reuse the yeast for 20 batches. Bringing the proportional cost down from $125 to $25 per batch. The net savings to us would be $.05 per pour. What if we moved to a silo for 2-row, and cut our base malt cost down to a third and added a mill? $.14 per pour. That would make Pillowfort ~$.92/pour. Granted these recurring costs add up over the course of a year and both might yield improvements to the consistency and quality of our beer. But selling just one 1/2 bbl keg to a bar, even charging $250, loses us more money per batch then we’d save from making those moves. It also speaks to how important yield on these heavily dry-hopped beers is.
Most of our IPAs and DIPAs work out to $100-150 per ½ bbl keg. Self-distributing these beers for $200-250 there would be no way to make enough to cover rent, pay ourselves, and fund expansion. However, being a retailer of our own beers means we get $800-900 for that same keg sold by the glass and growler. It makes sense for us to charge a reasonable price ($7-8 for a 14 oz pour in a 17 oz glass) and have consumers return rather than charge a dollar or two more and end up having to self-distribute kegs (with the added effort).
When we do send kegs out, we try to get as much of a push out of it as we can (fests, tap-takeovers, beer dinners etc.). We don't pay for any traditional advertising, but we view the "losses" from self-distributing as a form of marketing. That also means not always sending beer to the same bars, as we want people to feel like they have to come to us to try our beers regularly.
Most bars use a flat percentage markup to price their draft. If a beer costs twice as much for them to purchase, they’ll charge twice as much to the consumer. That means that they’ll make a much larger dollar-per-ounce profit on more expensive beers. The same isn’t true at most breweries, an IPA with Nelson Sauvin or Galaxy is easily twice as expensive as a session wheat beer (especially considering the lower yield with high dry-hop rates), but we don’t double the price. Still, charging $7 for IPA and $6 for the session wheat makes the IPA more profitable per pour. When you visit a brewery and buy beer, you’re allowing them to spend more money on the ingredients and make better beer. Not to mention that the brewery will care more about their beer and have better control over the product.
Overhead
After ingredient cost, our next biggest expense is rent. Scott and I debated where to open and toured spaces with a wide range of looks and costs. While a beautiful rustic plot with room for outdoor events and a small orchard was appealing… either running on a septic or paying hundreds of thousands of dollars for a municipal sewer connection was not. Conversely, opening in a vibrant downtown with plenty of foot traffic would have meant easier retail sales, but would have tripled our rent. Brewing is a space-intensive manufacturing business (especially with barrel aging), it is difficult for me to justify paying $30+ sq ft for the parts of the business that aren’t customer facing.
If we are able to brew enough to outstrip tasting room demand, we’ll look into opening a small taproom someplace other than an industrial park. For the time being, our location is close enough to residential for the tasting room and inexpensive enough for 4,000 sq ft of production. Luckily the power of Google Maps, Untappd, and social media has been enough for us to draw people in.
In addition to the ability to sell beer by the glass, a tasting room opens up the way for merchandise sales, private events, packaged beer, and even food sales (working on that now). It has been essential for us to have a space and offerings that attract customers, even those who aren’t beer nerds. A fantastic staff, and enough of them working for short waits also improves the customer experience.
Salaries are the third big expense. Scott and I have done 100% of the brewing, tank cleaning, kegging, and keg washing up to this point. Financially speaking, our labor has been free, but we certainly could have kept our day jobs and paid less-per hour than our lost wages to hire brewers and cellar-people. That said, it didn’t seem right to trust something we’d worked so hard for to other people. As I learned from consulting, the people who are physically there have the biggest effect on the results. We’ll be looking to hire someone in the brewhouse soon, but we’re still trying to figure out what the role will be (cleaning and cellar duties, or someone who already has the skill-set to be a lead brewer eventually). We were willing to pay for front-of-house, as that is where we didn’t have experience (or the time to learn).
Other Income Streams
I posted about Brewery Clubs a few months ago. As a brewery that didn’t take on outside loans or investors, the extra money we brought in from club sales was essential. It gave us the breathing room to buy more expensive equipment, ingredients, not to mentions barrels for beers we won’t sell for months or years, and dump most of a batch that we didn’t love. Padding in the bank account helped with our sleep those first couple months too.
We’re now “paying” some of that money back. We made it through the club holiday events, for which we created 16 sixtels of variants that we didn’t sell a drop of. Not to mention paid employees to work (and at $15 an hour as tipping was light without tabs). Most of that cost was in our time, but we’ll continue to incur costs as we give bottles, decanter baskets (below), and events that club members paid for last year. Not only do we want to ensure that customers (and many friends) are happy they joined, we’d like to over-deliver so many consider re-upping for 2020!
The rest of this year our biggest focus will be on packaging. Direct sales of canned and bottled beer should give us the chance to increase total revenue, but it will also lower our per-ounce revenue. While many people are willing to pay $8 for a 14 oz pour of DIPA... $5 for a 16 oz can of the same DIPA is about the top of the market. Cans have higher costs associated with them as well, both in terms of labor and materials (especially when you don't own a canning line). That really slims down the margins, and will dictate which beers are more likely to be canned (e.g., Pillowfort with Azacca rather than Snip Snap with Galaxy). The most important thing for us will be avoiding turning draft sales into can sales. Ideally cans are an add-on to tabs or an additional trip for a release rather than a replacement for draft consumption and growlers.
What makes sense for a brewery will depend on the types of beer they brew and their goals as a company. If you want to be a large production brewery, it may make sense to start fighting for draft accounts early. We don’t have any resources dedicated to outside sales, in fact we turn down most offers to put our beer on tap. We’d rather have an excess of demand, and be in strong position rather than fight for a limited number of tap handles with an ever-increasing number of breweries.
Having the huge catalog of homebrew recipes between the two of us has been a big advantage too. On Saturday we tapped a scaled-up version of Atomic Apricot. The price difference on the apricot puree was particularly stark, $1.71 per pound at the commercial scale vs. $7.84 for the same product (Oregon Fruit/Vintners Harvest). I haven't been doing much homebrewing or test batch brewing so most of my social media posting has moved to the Sapwood Cellars Facebook and Twitter accounts (Scott does Instagram because I usually avoid posting from my phone).
Here is a graph of the scores of 13 of our hoppy beers (pale ales, IPAs, and DIPAs) showing the Untappd score compared to the ABV. The formula for the trend line is y = 3.2008+.1392*x. That suggests if we brewed a 0% ABV hoppy beer it would score a 3.20 and to get a score of 5 would require 14.31% ABV. The R-squared value of the correlation is .71, so the most important factor in the consumer's opinion of our hoppy beers is strength (granted that typically comes with a higher dry hopping rate, sweetness etc.).
Driving business to your tasting room is job #1 for a small brewery because that is where the profit is highest. When you buy a beer at a bar or restaurant, most of the money goes to them rather than the brewery. While a ½ bbl keg of a pale ale might sell to a bar for $150-175 (a portion of which might go to a distributor), at even $5 pint the bar makes $620 in revenue. At our scale, it is almost impossible to make a profit only selling beer at wholesale. It requires a tight reign on expenses with a premium price point, not to mention low overhead.
It is no coincidence that local brewery booms seem to follow when a state or city allows production breweries to serve/retail their own beer. In the case of Maryland this has created backlash from distributors, and a lesser extent bars and liquor stores who see more consumers cutting them out.
It is no coincidence that local brewery booms seem to follow when a state or city allows production breweries to serve/retail their own beer. In the case of Maryland this has created backlash from distributors, and a lesser extent bars and liquor stores who see more consumers cutting them out.
Ingredient Cost
We aren’t doing a great job controlling ingredient costs. We don’t reuse our yeast nearly as much as we "should" (3-4 batches per pitch), we pay as much as $35/lb for hops that are difficult to get on the spot market, we buy our malt pre-milled by the bag, we use expensive “real” ingredients for our variants (and usually don’t up-charge over the base beers) etc. That said, having a tasting room that is busy covers all of those sins.
We aren’t doing a great job controlling ingredient costs. We don’t reuse our yeast nearly as much as we "should" (3-4 batches per pitch), we pay as much as $35/lb for hops that are difficult to get on the spot market, we buy our malt pre-milled by the bag, we use expensive “real” ingredients for our variants (and usually don’t up-charge over the base beers) etc. That said, having a tasting room that is busy covers all of those sins.
10 bbls – Pillowfort
$484 – 2-row
$137 – Malted Oats
$40 – Chit Malt
$50 – Milling Fee
$11 – Glucose
$.80 - Whirlfloc
$.06 - Zinc Sulfate Heptahydrate
$1 – Calcium Chloride
$1 – Gypsum
$.25 – Epsom Salt
$2.00 – 350 ml 75% Phosphoric Acid
$125 – Liquid yeast
$150 – Dry yeast
$77 – Columbus
$99 – Centennial
$396 – Citra
$264 – Azacca
~$100 – CO2/Gas/Electric/Chemicals
($1950/batch - $1.11/pour)
Let’s say we put more effort into yeast management and that gives us confidence to reuse the yeast for 20 batches. Bringing the proportional cost down from $125 to $25 per batch. The net savings to us would be $.05 per pour. What if we moved to a silo for 2-row, and cut our base malt cost down to a third and added a mill? $.14 per pour. That would make Pillowfort ~$.92/pour. Granted these recurring costs add up over the course of a year and both might yield improvements to the consistency and quality of our beer. But selling just one 1/2 bbl keg to a bar, even charging $250, loses us more money per batch then we’d save from making those moves. It also speaks to how important yield on these heavily dry-hopped beers is.
Most of our IPAs and DIPAs work out to $100-150 per ½ bbl keg. Self-distributing these beers for $200-250 there would be no way to make enough to cover rent, pay ourselves, and fund expansion. However, being a retailer of our own beers means we get $800-900 for that same keg sold by the glass and growler. It makes sense for us to charge a reasonable price ($7-8 for a 14 oz pour in a 17 oz glass) and have consumers return rather than charge a dollar or two more and end up having to self-distribute kegs (with the added effort).
When we do send kegs out, we try to get as much of a push out of it as we can (fests, tap-takeovers, beer dinners etc.). We don't pay for any traditional advertising, but we view the "losses" from self-distributing as a form of marketing. That also means not always sending beer to the same bars, as we want people to feel like they have to come to us to try our beers regularly.
Most bars use a flat percentage markup to price their draft. If a beer costs twice as much for them to purchase, they’ll charge twice as much to the consumer. That means that they’ll make a much larger dollar-per-ounce profit on more expensive beers. The same isn’t true at most breweries, an IPA with Nelson Sauvin or Galaxy is easily twice as expensive as a session wheat beer (especially considering the lower yield with high dry-hop rates), but we don’t double the price. Still, charging $7 for IPA and $6 for the session wheat makes the IPA more profitable per pour. When you visit a brewery and buy beer, you’re allowing them to spend more money on the ingredients and make better beer. Not to mention that the brewery will care more about their beer and have better control over the product.
Overhead
After ingredient cost, our next biggest expense is rent. Scott and I debated where to open and toured spaces with a wide range of looks and costs. While a beautiful rustic plot with room for outdoor events and a small orchard was appealing… either running on a septic or paying hundreds of thousands of dollars for a municipal sewer connection was not. Conversely, opening in a vibrant downtown with plenty of foot traffic would have meant easier retail sales, but would have tripled our rent. Brewing is a space-intensive manufacturing business (especially with barrel aging), it is difficult for me to justify paying $30+ sq ft for the parts of the business that aren’t customer facing.
If we are able to brew enough to outstrip tasting room demand, we’ll look into opening a small taproom someplace other than an industrial park. For the time being, our location is close enough to residential for the tasting room and inexpensive enough for 4,000 sq ft of production. Luckily the power of Google Maps, Untappd, and social media has been enough for us to draw people in.
In addition to the ability to sell beer by the glass, a tasting room opens up the way for merchandise sales, private events, packaged beer, and even food sales (working on that now). It has been essential for us to have a space and offerings that attract customers, even those who aren’t beer nerds. A fantastic staff, and enough of them working for short waits also improves the customer experience.
Salaries are the third big expense. Scott and I have done 100% of the brewing, tank cleaning, kegging, and keg washing up to this point. Financially speaking, our labor has been free, but we certainly could have kept our day jobs and paid less-per hour than our lost wages to hire brewers and cellar-people. That said, it didn’t seem right to trust something we’d worked so hard for to other people. As I learned from consulting, the people who are physically there have the biggest effect on the results. We’ll be looking to hire someone in the brewhouse soon, but we’re still trying to figure out what the role will be (cleaning and cellar duties, or someone who already has the skill-set to be a lead brewer eventually). We were willing to pay for front-of-house, as that is where we didn’t have experience (or the time to learn).
Other Income Streams
I posted about Brewery Clubs a few months ago. As a brewery that didn’t take on outside loans or investors, the extra money we brought in from club sales was essential. It gave us the breathing room to buy more expensive equipment, ingredients, not to mentions barrels for beers we won’t sell for months or years, and dump most of a batch that we didn’t love. Padding in the bank account helped with our sleep those first couple months too.
We’re now “paying” some of that money back. We made it through the club holiday events, for which we created 16 sixtels of variants that we didn’t sell a drop of. Not to mention paid employees to work (and at $15 an hour as tipping was light without tabs). Most of that cost was in our time, but we’ll continue to incur costs as we give bottles, decanter baskets (below), and events that club members paid for last year. Not only do we want to ensure that customers (and many friends) are happy they joined, we’d like to over-deliver so many consider re-upping for 2020!
The rest of this year our biggest focus will be on packaging. Direct sales of canned and bottled beer should give us the chance to increase total revenue, but it will also lower our per-ounce revenue. While many people are willing to pay $8 for a 14 oz pour of DIPA... $5 for a 16 oz can of the same DIPA is about the top of the market. Cans have higher costs associated with them as well, both in terms of labor and materials (especially when you don't own a canning line). That really slims down the margins, and will dictate which beers are more likely to be canned (e.g., Pillowfort with Azacca rather than Snip Snap with Galaxy). The most important thing for us will be avoiding turning draft sales into can sales. Ideally cans are an add-on to tabs or an additional trip for a release rather than a replacement for draft consumption and growlers.
What makes sense for a brewery will depend on the types of beer they brew and their goals as a company. If you want to be a large production brewery, it may make sense to start fighting for draft accounts early. We don’t have any resources dedicated to outside sales, in fact we turn down most offers to put our beer on tap. We’d rather have an excess of demand, and be in strong position rather than fight for a limited number of tap handles with an ever-increasing number of breweries.
Having the huge catalog of homebrew recipes between the two of us has been a big advantage too. On Saturday we tapped a scaled-up version of Atomic Apricot. The price difference on the apricot puree was particularly stark, $1.71 per pound at the commercial scale vs. $7.84 for the same product (Oregon Fruit/Vintners Harvest). I haven't been doing much homebrewing or test batch brewing so most of my social media posting has moved to the Sapwood Cellars Facebook and Twitter accounts (Scott does Instagram because I usually avoid posting from my phone).
Brewing beer at home changed the course of my life. At first it was merely a fun way to explore my drink of choice, and an excuse to hang out with friends. As time passed it became a larger part of my life, a side-hustle, a reason to travel, altered who I am. I always hated public speaking… until I figured out that I’m engaging when I care about the material. I was never passionate about reading, researching, and writing, until they meant I could learn to brew better beer and share my passion. I met many of my friends at homebrew club meetings, through this blog, and homebrewing forums. I worked a boring government desk job for 12 years, until brewing allowed me to open a business!
That’s why I'm sad that homebrewing is on the decline in America. I see it at DC Homebrewer’s meetings, where there aren’t nearly as many fresh faces as there were five years ago. The closures of retailers, like the recent announcement from Love2Brew. The surveys from the American Homebrewer’s Association gives hard numbers: from 1.2 million homebrewers in 2013, to 1.1 million in 2017.
Anecdotally over the last 30 years, American homebrewing has experienced three similar dips. Roughly the early-1990s, early-2000s, and the last few years. These coincide with three pivotal moments in commercial beer availability.
By the early 1990s most parts of the country had a selection of bottled craft beer from the likes of Sierra Nevada, Boston Beer, not to mention a few local breweries. No longer were beer drinkers limited to macro lagers and stale impotrs, because hoppy pale ales, malty browns, and roasty stouts were available coast-to-coast. I've met a few former homebrewers who thought that was enough selection to make homebrewing superfluous. There were still plenty of people who wanted to drink a wider range of styles though, and that still meant brewing their own.
A decade later with the opening and expansion of breweries like Allagash, Dogfish Head, New Belgium and hundreds more, the selection and availability of craft beer had exploded. You could find wit, kolsch, imperial stouts, apricot pale, IPA and a multitude more everywhere. Most cities had stores where you could pick from hundreds if not thousands of bottles. Again, some homebrewers didn’t see the need to keep brewing when they could drink a solid example of pretty much any style. Still though, many homebrewers wanted greater variety, unique flavors, and ua-fresh beer.
Now we’re in another slide. With more than 6,000 breweries spread across the country, most Americans can take a short drive to visit a different brewery tasting rooms every week for a few months without repeating. Not only that, but the old model of four core beers, four seasonals, and a couple special releases is gone. Many breweries are producing 50 or more beers each year. The variety is staggering, and again many former homebrewers are happy to reduce their risk/effort and sample as many new beers as they desire. Not only is homebrewing suffering, but so are many of the breweries from those previous waves… Smuttynose, Green Flash etc.
In the chart below, the red line represents Google searches for "Brewery" the blue is "Homebrewing." December 2008 is the closest they have been (29 to 13), while July 2018 was the furthest (100 to 5). That's to say that while search interest in breweries has more than tripled over the last ten years, during the same time interest in homebrewing has dropped in half.
Where does homebrewing go from here?
There have always been different types of homebrewers, different reasons they brew. There will always be homebrewers. Those who brew not to save money, or drink the “best” beer, but who love the process. Those who are passionate about recipe design, microbiology, botany, community. engineering, culinary techniques, and experimentation. For them craft beer is a source of inspiration, but not a replacement for the hobby!
I don't view automated homebrewing systems as a threat to traditional homebrewing or a big boon for the hobby. If I hear one more new product that bills itself as the “Keurig” of beer… I’m going to lose it! It isn’t even like Keurig is synonymous with high quality coffee. I just don’t see any product that makes brewing that easy gaining a strong foothold because brewing beer involves more care than coffee and to-the-minute freshness isn't as important. You can buy a six pack at the store for less than it takes to brew these, and enjoy a bottle each night. The automated systems will always make beer that isn't as good as commercial, at a higher price-point. Not that automated wort production isn't appealing (and useful) for homebrewers looking to devote less time to the process.
If this time is like the previous two lulls, homebrewing is due for another bounce. Maybe the continual push for novelty in craft brewing, extra-bold flavors, and lack of true originality turns people off. Lack of quality, high prices, poor quality control, beer that sits too long before being sold… honestly now that I know how good IPA tastes within a month of brewing, I rarely buy a six-pack off the shelf. Hopefully as more consumers become accustomed to really fresh beer at tasting rooms, they get interested in brewing it for themselves! Maybe the greater number of people drinking craft beer simply gets more people interested in brewing.
The second option is decline. As quality beer becomes more accessible the price will be pushed down, making it an even more attractive option for marginal-homebrewers. Homebrewing becomes an even more specialized/nerdy hobby, and we lose out on the vibrancy that new hobbyists bring.
My best guess is that we're reaching stasis. There won't be a return the levels of excitement and engagement we saw ten years ago. There will still be plenty of people who drink craft beer, and try their hand at homebrewing, but only enough to replace all of the homebrewers who stop to drink craft beer or join the industry.
Homebrewing Matters
Drinking beer wouldn't have done the same thing for my life as homebrewing. An active engagement with brewing is the best way to really understand and appreciate beer. It caused me to learn and grow in areas that aren't really connected to beer or brewing. I understand that drinking a beer and checking in on Untappd is no-risk (I wrote a couple hundred reviews on BeerAdvocate), but it doesn't really lead to anything. Drinking beer is a diversion, brewing beer can change your life!
That’s why I'm sad that homebrewing is on the decline in America. I see it at DC Homebrewer’s meetings, where there aren’t nearly as many fresh faces as there were five years ago. The closures of retailers, like the recent announcement from Love2Brew. The surveys from the American Homebrewer’s Association gives hard numbers: from 1.2 million homebrewers in 2013, to 1.1 million in 2017.
Anecdotally over the last 30 years, American homebrewing has experienced three similar dips. Roughly the early-1990s, early-2000s, and the last few years. These coincide with three pivotal moments in commercial beer availability.
By the early 1990s most parts of the country had a selection of bottled craft beer from the likes of Sierra Nevada, Boston Beer, not to mention a few local breweries. No longer were beer drinkers limited to macro lagers and stale impotrs, because hoppy pale ales, malty browns, and roasty stouts were available coast-to-coast. I've met a few former homebrewers who thought that was enough selection to make homebrewing superfluous. There were still plenty of people who wanted to drink a wider range of styles though, and that still meant brewing their own.
A decade later with the opening and expansion of breweries like Allagash, Dogfish Head, New Belgium and hundreds more, the selection and availability of craft beer had exploded. You could find wit, kolsch, imperial stouts, apricot pale, IPA and a multitude more everywhere. Most cities had stores where you could pick from hundreds if not thousands of bottles. Again, some homebrewers didn’t see the need to keep brewing when they could drink a solid example of pretty much any style. Still though, many homebrewers wanted greater variety, unique flavors, and ua-fresh beer.
Now we’re in another slide. With more than 6,000 breweries spread across the country, most Americans can take a short drive to visit a different brewery tasting rooms every week for a few months without repeating. Not only that, but the old model of four core beers, four seasonals, and a couple special releases is gone. Many breweries are producing 50 or more beers each year. The variety is staggering, and again many former homebrewers are happy to reduce their risk/effort and sample as many new beers as they desire. Not only is homebrewing suffering, but so are many of the breweries from those previous waves… Smuttynose, Green Flash etc.
In the chart below, the red line represents Google searches for "Brewery" the blue is "Homebrewing." December 2008 is the closest they have been (29 to 13), while July 2018 was the furthest (100 to 5). That's to say that while search interest in breweries has more than tripled over the last ten years, during the same time interest in homebrewing has dropped in half.
Where does homebrewing go from here?
There have always been different types of homebrewers, different reasons they brew. There will always be homebrewers. Those who brew not to save money, or drink the “best” beer, but who love the process. Those who are passionate about recipe design, microbiology, botany, community. engineering, culinary techniques, and experimentation. For them craft beer is a source of inspiration, but not a replacement for the hobby!
I don't view automated homebrewing systems as a threat to traditional homebrewing or a big boon for the hobby. If I hear one more new product that bills itself as the “Keurig” of beer… I’m going to lose it! It isn’t even like Keurig is synonymous with high quality coffee. I just don’t see any product that makes brewing that easy gaining a strong foothold because brewing beer involves more care than coffee and to-the-minute freshness isn't as important. You can buy a six pack at the store for less than it takes to brew these, and enjoy a bottle each night. The automated systems will always make beer that isn't as good as commercial, at a higher price-point. Not that automated wort production isn't appealing (and useful) for homebrewers looking to devote less time to the process.
If this time is like the previous two lulls, homebrewing is due for another bounce. Maybe the continual push for novelty in craft brewing, extra-bold flavors, and lack of true originality turns people off. Lack of quality, high prices, poor quality control, beer that sits too long before being sold… honestly now that I know how good IPA tastes within a month of brewing, I rarely buy a six-pack off the shelf. Hopefully as more consumers become accustomed to really fresh beer at tasting rooms, they get interested in brewing it for themselves! Maybe the greater number of people drinking craft beer simply gets more people interested in brewing.
The second option is decline. As quality beer becomes more accessible the price will be pushed down, making it an even more attractive option for marginal-homebrewers. Homebrewing becomes an even more specialized/nerdy hobby, and we lose out on the vibrancy that new hobbyists bring.
My best guess is that we're reaching stasis. There won't be a return the levels of excitement and engagement we saw ten years ago. There will still be plenty of people who drink craft beer, and try their hand at homebrewing, but only enough to replace all of the homebrewers who stop to drink craft beer or join the industry.
Homebrewing Matters
Drinking beer wouldn't have done the same thing for my life as homebrewing. An active engagement with brewing is the best way to really understand and appreciate beer. It caused me to learn and grow in areas that aren't really connected to beer or brewing. I understand that drinking a beer and checking in on Untappd is no-risk (I wrote a couple hundred reviews on BeerAdvocate), but it doesn't really lead to anything. Drinking beer is a diversion, brewing beer can change your life!
My homebrewing frequency has taken a nosedive recently (surprise), but I still try to find time to brew a weird batch when I can. In August, when Scott and I drove to pick-up our first hop order in western Maryland, I noticed that Staghorn Sumac was in full bloom along I-270 . I’d read about flavoring beer with it in The Homebrewer’s Almanac, but never actually tasted a beer brewed with it. Sumac is tart and fruity, traditionally used in a tart lemonade-like beverage.
I pulled over and harvested about a pound. The range I’d read was 1-5 lbs per 5 gallon batch. Without a beer ready for them, I took the clusters of dusty berries off of the central twig, vacuum sealed them, and froze. That was enough of an excuse to brew a batch of Berliner weisse (fermented with US-05 and Omega Lacto Blend - similar otherwise to this recipe). After primary fermentation I racked 1 gallon onto the resulting .75 lbs of sumac, and another onto .5 oz of dried Turkish sumac from Penzeys for a month. Obviously if the dried version is just as good, it certainly would be easier!
Dried Turkish Sumac Berliner
Smell – Aroma is light, doughy-grain, lightly citrus and roasted pear. An odd note of cinnamon as well.
Appearance – Clear pale yellow. It’s almost so pale that yellow isn’t the right word, it looks washed out, faded. Retention isn’t great, but the tight, white head sticks around for much longer than the other half of the batch.
Taste – Bright acid without being obnoxious. The finish has an odd fall-spice note as in the nose that I suspect is from the sumac. Dry without being a desert.
Mouthfeel – Classic Berliner, light and spritzy.
Drinkability & Notes – The not-entirely-pleasant musty-herbal flavor the dried sumac provided when the beer was young seems to have mostly faded to a light spiciness. I’m not sure I’d even pick it out if I didn’t know it was in there.
Changes for Next Time – Maybe a different/fresher source of dried sumac would provide a better flavor and aroma?
Staghorn Sumac Berliner
Smell – Aroma has the generic fruitiness of Hawaiian Punch, or Hi-C, but with an herbal hint of a Ricola cough drop. I don’t get any of the base beer, at this elevated rate it is all sumac. Certainly in the same sort of flavor-family as hibiscus.
Appearance – To go along with the aroma, it has the color of Hawaiian Punch. Similar head retention too…
Taste – The same fruit flavor from the nose, but more pronounced cherry candy. It’s a really fun flavor, that doesn’t stray into cloying. Acidity is snappy, sort of Vitamin-C, quick and punchy. No sweetness, finally breaks the comparison to "fruit" beverages.
Mouthfeel – Light, medium+ carbonation, but not excessively thin or harsh.
Drinkability & Notes – Staghorn sumac is a foraged ingredient that has a real chance for broader appeal. The flavor is fun, quenching, and somewhat familiar. The color certainly doesn’t hurt either. With how much it took, a mild base beer like this makes the most sense.
Changes for Next Time – I was sort of hoping this one wouldn’t be delicious so that I didn’t have to source a couple hundred pounds to put into a beer next summer. Likely could drop down closer to .5 lbs/gallon for a more balanced beer, but it is delicious as is!
Smell – Aroma is light, doughy-grain, lightly citrus and roasted pear. An odd note of cinnamon as well.
Appearance – Clear pale yellow. It’s almost so pale that yellow isn’t the right word, it looks washed out, faded. Retention isn’t great, but the tight, white head sticks around for much longer than the other half of the batch.
Taste – Bright acid without being obnoxious. The finish has an odd fall-spice note as in the nose that I suspect is from the sumac. Dry without being a desert.
Mouthfeel – Classic Berliner, light and spritzy.
Drinkability & Notes – The not-entirely-pleasant musty-herbal flavor the dried sumac provided when the beer was young seems to have mostly faded to a light spiciness. I’m not sure I’d even pick it out if I didn’t know it was in there.
Changes for Next Time – Maybe a different/fresher source of dried sumac would provide a better flavor and aroma?
Staghorn Sumac Berliner
Smell – Aroma has the generic fruitiness of Hawaiian Punch, or Hi-C, but with an herbal hint of a Ricola cough drop. I don’t get any of the base beer, at this elevated rate it is all sumac. Certainly in the same sort of flavor-family as hibiscus.
Appearance – To go along with the aroma, it has the color of Hawaiian Punch. Similar head retention too…
Taste – The same fruit flavor from the nose, but more pronounced cherry candy. It’s a really fun flavor, that doesn’t stray into cloying. Acidity is snappy, sort of Vitamin-C, quick and punchy. No sweetness, finally breaks the comparison to "fruit" beverages.
Mouthfeel – Light, medium+ carbonation, but not excessively thin or harsh.
Drinkability & Notes – Staghorn sumac is a foraged ingredient that has a real chance for broader appeal. The flavor is fun, quenching, and somewhat familiar. The color certainly doesn’t hurt either. With how much it took, a mild base beer like this makes the most sense.
Changes for Next Time – I was sort of hoping this one wouldn’t be delicious so that I didn’t have to source a couple hundred pounds to put into a beer next summer. Likely could drop down closer to .5 lbs/gallon for a more balanced beer, but it is delicious as is!
I’m hopeful I can get this formula approved by the TTB for Sapwood, as there are already a few commercial beers from the likes Sumac Sour from Four Quarters, Backroads from Suarez Family, and of course several sours and saisons from Scratch. That said, it seems like they are clamping down as I had both acorns and Eastern Red Cedar rejected already. I’ve had several brewers tell me that the step isn’t necessary unless you are getting label approval (not true) or that it is better to ask forgiveness than permission…
I'll be making the trip down to Asheville, NC March 22-23 for another round of BYO Boot Camps! As usual I'll be talking about Wood/Barrels one day and Sour Beers the other. I said it before, but this really is looking like the last one of these for me given how much time running a brewery takes!
I'll be making the trip down to Asheville, NC March 22-23 for another round of BYO Boot Camps! As usual I'll be talking about Wood/Barrels one day and Sour Beers the other. I said it before, but this really is looking like the last one of these for me given how much time running a brewery takes!
My homebrewing-rate has slowed dramatically the last couple months, not coincidentally we brewed our first batch at the brewery around that time (House Saison brew day). Part of that is brewing 10 bbls about twice a week, the rest is how much time I spend at the brewery doing other stuff. My plan for The Mad Fermentationist is to keep up the same style of post, with recipes and tasting notes for occasional Sapwood Cellars beers. I'll still document homebrew batches when I can, mostly test batches or experiments with impractically weird ingredients.
The first beer I wanted to cover is my favorite of the initial four clean batches, Rings of Light. For those interested the name, is a subtle The Fellowship of the Rings reference: "They watched the pale rings of light round his lanterns as they dwindled into the foggy night." It is exactly the sort of beer I love drinking, moderate alcohol (4.8% ABV), but with a huge hop flavor and aroma and a surprisingly luscious mouthfeel. Luckily Untappd reviews have been pretty positive, and it is our tasting room's top seller so far!
You'll likely recognize most of the elements of the recipe as things Scott and I have been doing for years. Golden Naked Oats, Chit malt, Boddington's yeast (RVA Manchester), moderate-high chloride and sulfate, less expensive hops in the boil (Cascade and Columbus), and Citra dry-hopping. We added mid-late fermentation additions to several of our other batches, but this one was soft-crashed to 58F before dry hopping so we could harvest the yeast for re-pitching into an IPA (Cheater Hops) and DIPA (Uncontrollable Laughter).
The process tweaks have mostly been to account for the differences related to the physics of working at scale. For example, usually I'd add a small dose of hops at 15 minutes to up the bitterness, but in this case the extended contact after flame-out makes that unnecessary (between whirlpool, settling, and run-off near-boiling wort is in contact with hops for more than a hour). In fact, we added one barrel of cold water at flame-out to lower the whirlpool temperature to reduce isomerization. Beersmith 3 includes the capability to specify the average temperature of the wort during the whirlpool, still the estimate seems to be wildly higher than the perceived bitterness. I wonder if the hops settling, mixing with the proteins in the trub-cone slows the isomerization rate?
It has taken a little time to dial in our Forgeworks brew house. We achieved slightly lower efficiency and attenuation on this batch than expected for example. We've made a few mistakes and miscalculations along the way, but given neither of us had brewed frequently at a commercial scale I'm happy to report that things have been relatively smooth. Our biggest issues have been with the durability of the equipment itself. For example the rakes in the mash tun detached from the motor twice, and our burner shorted after a boil-over. What is taking the most effort to optimize is our cleaning and sanitation regimen.
Thanks to everyone who came out to our grand opening last weekend! I didn't expect as many fans of the blog to drive from an hour or more away to try the beers and say hello. Either Scott or I will be there most of the time we're open, so let us know! Happy to show you around and talk brewing. For those further away, I'm also running the brewery's Twitter and Facebook accounts for now (Scott took Instagram because I couldn't figure it out).
Rings of Light
Smell – Pleasantly mango-melon hop aroma. As it approaches room temperature I get a slightly toasty-vanilla-richness thanks to the yeast playing off the Golden Naked Oats. Otherwise a pretty clean/fresh aroma.
Appearance – Pleasantly hazy yellow, glowing in the right lighting. I guess we did an adequate job avoiding oxygen pickup during transfers and kegging as it hasn’t darkened! We certainly pulled some hop matter into the bright tank, but it mostly settled out and stayed behind when we kegged, as I don’t see any particulate in the pour. Head is really thick, but could have better retention.
Taste – I really love the flavor on this, really saturated with juicy hops. Similar to the aroma, the tropical flavors from the Citra dominate the Cascade and Columbus. We were surprised how hop-forward it was even before dry hopping (perhaps thanks to the deep kettle slowing the evaporation of the oils?). Bitterness is pleasant, but restrained. Well below the estimated 70+ IBUs, more like 40-50 to my palate.
Mouthfeel – Full bodied, especially for a sub-5% beer. That is thanks to the oats, and low attenuation (which allowed for more malt for the given alcohol). As usually the substantial texture of the head from the chit malt really enhances the perception of creaminess.
Drinkability & Notes – Glad this beer ended up as an early-fall release. It is a little full for a quenching summer pale ale, but it is perfect for temperate weather. The hops are well balanced, and provide enough interest to demand each additional sip. The malt mostly stays hidden, while providing adequate support.
Changes for Next Time – We’ve already got a new batch of this fermenting with the same grist and kettle-hops, although given the tweaks (higher original gravity and different yeast: Lallemand New England and S-04) it may receive a different name.
Recipe
Batch Size: 315.00 gal
SRM: 4.9
IBU: 73.7
OG: 1.052
FG: 1.018
ABV: 4.8%
Final pH: 4.54
Brewhouse Efficiency: 68%
Boil Time: 60 Mins
Fermentables
-----------------
75% - 495 lbs Rahr 2-Row Brewer's Malt
16.7% - 110 lbs Simpsons Golden Naked Oats
8.3% - 55 lbs Best Chit Malt
Mash
-------
Mash In - 60 min @ 153F
Hops
-------
11 lbs Cascade (Pellets, 7.20% AA) - Steep/Whirlpool 75.0 min
11 lbs Columbus (Pellets, 15.70% AA) - Steep/Whirlpool 75.0 min
22 lbs Citra (Pellets, 12.00% AA) - Dry Hop Day 10
Other
-------
40 g Whirlfloc G @ 15 mins
Water
-------
200 ml Phosphoric Acid 75% @ Mash
1.00 lb Calcium Chloride @ Mash
0.70 lb Gypsum (Calcium Sulfate) @ Mash
50 ml Phosphoric Acid 75% @ Sparge
Calcium | Chloride | Sulfate | Sodium | Magnesium | Carbonate |
120 | 150 | 100 | 20 | 5 | 100 |
Yeast
-------
RVA Manchester Ale #132
Notes
-------
Brewed 8/29/18
Collected 315 gallons of water.
All salts and 100 ml acid right after mash-in. Ran rakes for 15 minutes, started recirculation 10 minutes after mash in. After 10 min of recirculation, measured temp at 152.8F.
Measured mash pH at 5.42, add 50 mL more acid. 5.39, add 50 mL more acid. 5.34.
Sparge water 183F, pH 6.47 with acid addition - more next time
Start of boil with 11 bbls of 1.055 runnings.
Added 1 bbl of cold water at the start of the whirlpool. Combined temperature 196F, added hops.
Run-off started at 66F. .5L/min of O2 through in-line stone.
Ended up with a wort temperature of 64F. Set tank to to 66F. By the next morning the glycol chiller had popped the breaker and the tank was at 69F... Reset and lowered to 67F.
8/31 Raised set-point to 69F to ensure finish.
9/3 Fermentation appears nearly complete from lack of CO2 production. Tastes good, better hop aroma than expected. Up to 70F to ensure it is done before soft crashing.
9/6 Harvested yeast. Left blow-off open so no dissolved CO2.
9/7 Dry hopped with 22 lbs of Citra through the top port while running 25 PSI of CO2 and blow-off arm closed. Closed everything and add 5 PSI as head pressure.
9/8 Pushed 15 PSI through racking arm for 1 minute to rouse, 18 hours after dry hopping. Dropped temperature to 54F.
9/9 Pushed 15 PSI through racking arm for 1 minute. Dropped temperature to 50F.
9/10 Crashed to 36F.
9/12 Moved to bright tank. 3 L/min of CO2 set to 16 PSI got to ~11 PSI at 36 F. 2.6 volumes of CO2 prior to kegging.
9/15 Kegged, 17 kegs with the last almost full.
I get a commission if you buy something after clicking the links to MoreBeer/Amazon/Adventures in Homebrewing/Great Fermentations!
I have nothing against brewing to-style. You can make magnificent and delicious beers by using ingredients from a single region with the goal of a classic balance. That isn't who I am as a brewer though. The recipe for Sapwood Cellars' False Dragon is the sort that I'm passionate about. We selected ingredients from all over the globe to create a flavors and aromas that aren't authentic to any one tradition. What I wanted was an earthy-crisp malt flavor, a white-winey hop aroma (for less money than Nelson Sauvin), and a subtle spicy and fruity-boost from the yeast without getting in the way. That required malts from America and England, hops from America and Germany, and yeast from England and Belgium.
I'd been experimenting with the hop bill for a few months to get the ratio right, and eventually settled on 2:1 in favor of Mosaic. After a few test batches, Scott and I have embraced adding less expensive hops on the hot-side (Cascade, Columbus, Chinook, Centennial etc.) with the more aromatic and expensive varieties saved for the fermentor. I wanted to split my homebrewed test batch to compare S-04 alone against S-04 with 8% T-58. As with Ziparillo, dry yeast is cost-effective especially if you can't repitch thanks to early or mid-fermentation dry hopping. Belgian strains have shown heightened biotranformation abilities is some studies, so it seemed like a good candidate for double dry-hopping.
For the 10 bbl batch we decided to fill-in a gap in our range when the first batch of Rings of Light (our Citra dry-hopped hazy pale ale) came in under-alcohol at 4.8% thanks to lower-than-expected efficiency. In effect the two recipes switched places with False Dragon becoming the "bigger" pale ale at 5.3% rather than the 4.7% of the test batch. Our attenuation has been lower than expected across the board for our first five batches too. We're still trying to figure out the cause given it has happened with multiple yeast strains - likely mash related. Luckily our hop flavor and aroma have both been wildly better than either Scott or I have been able to achieve at home, I'm sure surface-to-volume ratio plays a role.
Your first chance to try this beer is at the Sapwood Cellars grand opening, Noon-10 PM on Saturday 9/29. We'll be open Thursday-Friday 4-10 PM and Saturdays Noon-10 PM from then on. Stop in, drink a beer, say hello!
The name False Dragon come from The Wheel of Time series of books by Robert Jordan. My commute has gone from 20 minutes on the subway to my desk job to ~40 minutes by car. Audio books are my new friend. While I'm sure brewing podcasts would be a more productive use of my time, after 12 hours brewing it is nice to have a little escapism.
False Dragon S-04
Smell – Had to go for a fresh pour after taking photos as it had gone a hint skunky after five minutes in the sun… Nose is a fresh “true” hop aroma to the Mosaic and Hallertau Blanc. White wine, but also some blueberry and green/herbaceous. Certainly Nelson-reminiscent, but a unique character as well.
Appearance – Pale yellow, pleasantly hazy. Good head and lacing, but the foam itself feels airy on the tongue. I guess I’ve gotten used (and miss) to the contribution of chit malt.
Taste – A firm amount of bitterness in the finish, but it doesn’t linger. Light and bright with the tropical-fruity hops starring. Rye doesn’t really make a strong showing, although I’ve always found it more subtle than some others taste.
Mouthfeel – The rye helps prevent it from being watery, but it is a summery pale ale. Glad we ended up a little higher OG/FG on the big batch. Medium carbonation, nice for a lighter beer.
Drinkability & Notes – A pleasant session IPA. The Mosaic and Hallertau Blanc work better together than apart.
Changes for Next Time – 10% chit in place of the base malt wouldn’t hurt. Could certainly up the rye too for a bigger contribution.
S-04 and T-58
Smell – More rounded, less grassy-distinct hop aroma. Tropical, juicy, inviting. The green flavors are now more honeydew melon. Impossible to say how much of that is actual hop chemical reaction, or synergistic between the hops and esters. Lightly bready.
Appearance – Looks similar in terms of head, color, and clarity.
Taste – Lower perceived bitterness. A more saturated/integrated fruity hop flavor. Passionfruit especially. I think this is the more approachable and interesting beer, and distinct from the other English-only fermentation we are doing (using RVA Manchester). Slightly elevated phenols, but much lower than from the WB-06 in Ziparillo.
Mouthfeel – Slightly creamier (perhaps just the lower perceived bitterness?), identical carbonation.
Drinkability & Notes – I was able to identify these pretty easily in a blind tasting. It is amazing how much impact such a small amount of yeast can make.
Changes for Next Time – We decided to back down the T-58 4.4% of the blend to allow a bit more of that fresh/distinct hop character through. Other than the higher gravity, the recipe was otherwise unchanged for the 315 gallon batch! We’ll probably up the rye for batch #2 now that we know we can handle higher percentages of high beta-glucan huskless grains.
False Dragon - Test Batch
Batch Size: 11.00 gal
SRM: 4.1
IBU: 30.0
OG: 1.046
FG: 1.012/1.012
ABV: 4.7%
Final pH: 4.43/4.49
Brewhouse Efficiency: 72%
Boil Time: 60 mins
Fermentables
-----------------
75.6% - 17 lbs Rahr 2-Row Brewer's Malt
14.4% - 3.25 lbs Briess Rye Malt
10.0 % - 2.25 lbs Crisp Floor Malted Maris Otter
Mash
-------
Mash In - 45 min @ 156F
Hops
-------
8.00 oz Centennial (Pellet, 7.20%) @ 30 min Steep/Whirlpool
6.00 oz Mosaic (Pellet, 12.25%) @ Dry Hop Day 3
3.00 oz Hallertau Blanc (Pellet, 10.50%) @ Dry Hop Day 3
6.00 oz Mosaic (Pellet, 12.25%) @ Dry Hop Day 7
3.00 oz Hallertau Blanc (Pellet, 10.50%) @ Dry Hop Day 7
Other
-------
1 Whirlfloc Tablet @ 5 mins
Water
-------
18 g Calcium Chloride
12 g Gypsum (Calcium Sulfate)
6 tsp Phosphoric Acid 10%
Calcium | Chloride | Sulfate | Sodium | Magnesium | Carbonate |
150 | 150 | 150 | 15 | 10 | 90 |
Yeast
-------
11.5 g SafAle S-04 English Ale
or
11.5 g SafAle S-04 English Ale
1 g SafBrew T-58 Specialty Ale
Notes
-------
Brewed 8/19/18
Mash pH = 5.44 (at mash temp) after acid additions.
Collected 14.5 gallons of 1.046 runnings.
Added heat to maintain a whirlpool temperature of 200F.
Chilled to 64F. Half with 1 g of T-58 and 11 g of S-04, and half with only 11 g of S-04. Left at 62F ambient to begin fermentation after shaking to aerate.
69F internal temperature during peak fermentation.
8/22 Dry hopped each with 3 oz of Mosaic and 1.5 oz of Hallertau Blanc.
8/27 Second dry hop for both.
9/1 Kegged both, 1.012, moved to fridge to chill.
9/2 Hooked up to gas and tapped to remove sludge. S-04 batch clogged poppet a few times.
I get a commission if you buy something after clicking the links to MoreBeer/Amazon/Adventures in Homebrewing/Great Fermentations!
I've brewed a surprising number of beers with ingredients grown on our .1 acres of Washington, DC. Including hops, cherries, juniper, ground ivy, mulberries... and recently fermented acorns! Rather than showcase a single ingredient though, I wanted to brew an estate beer with five ingredients grown and harvested on our land!
The extent of the influence of aged hops on sour beer is still a bit underestimated. While the generally stated goal is preventing rapid souring by Lactobacillus in a traditionally fermented lambic, what they add to the flavor and what particular characteristics of the hops best serve this isn't widely studied. There are a few studies that oxidation can boost certain fruity aromatics. Which has lead Scott to threaten to use old hops on the hot-side for a NEIPA... he promised to do a test batch before brewing a 10 bbl batch on the new Sapwood Cellars brewhouse.
I thought it would be fun to brew with aged Cascades from the bines in my backyard, especially because fresh they didn't have a huge aroma. They'd been sitting open in my basement since they were dried a few years before.
I don't have the space or effort to grow or malt grain, so I took the easy way out and brewed with wheat malt extract (a blend of 65% wheat malt 35% barley). I'd had good results from extract lambics previously, but this time in addition to maltodextrin I added wheat flour slurry to the boil. Mixing the flour with cold water prevents it from clumping when it touches the boiling wort. A turbid mash pulls starch from the unmalted wheat into the boil, which eventually feeds the various microbes in the late-stages of fermentation. The microbes must have enjoyed it as the resulting beers are completely clear.
Fruit was provided by our four berry trees/bushes. Sour cherry, blackberry, raspberry, and mulberry. To keep things easy I added roughly equal amount of each (other than the raspberries). I briefly froze most of the fruit, but I added the raspberries a small handful at a time as they ripen slower than the rest. I only had enough of each for one gallon of beer, as most of the rest of the fruit was spoken for. The leftover beer went onto local plums!
Video Review
Backyard Berries
Smell – Cherry and raspberry lead, not surprising as they are more distinct than the blackberry and mulberry. There is an underlining wine-iness that likely comes from the rest of the fruit. The base beer behind the fruit doesn't make itself known other than a subtle maltiness.
Appearance – Clear garnet on the first pour, a little haze when I emptied the bottle into the glass. Alright head retention thanks to the wheat.
Taste – Reminds of the nose with raspberry up front and cherry jam into the finish. Not as bright and fresh as it once was, but still reasonably fresh. The malt and hops don’t add a huge amount of character, but they support the fruit. The Wyeast lambic blend similarly stays mostly out of the way, adding edge complexity without trying to fight through the fruit.
Mouthfeel – Not a thick beer given the relatively low OG, and all of the simple sugars from the fruit. Solid carbonation, CBC-1 did a good job despite the acidity.
Drinkability & Notes – The combination of four berries works surprisingly well to my palate. They play together without becoming generic fruitiness. The base beer is unremarkable, but that’s fine in a beer where the fruit is the star.
Changes for Next Time – Would be nice to brew more than a gallon, but otherwise my only real changes would be to go all-grain.
Plum-Bus
The rest of the batch went onto a two varieties of local plums. I've brewed with plums before in a dubbel. I wasn't sure about plums in a pale beer, but after trying spectacular examples from Tilquin and Casey I was convinced!
Smell – Clear it isn’t a kettle-soured fruit-bomb, lots of lemon pith and mineral along with the moderate fruit contribution. Plums aren’t nearly as aromatic as the more common sour beer fruits, but they add a depth without covering up the base beer.
Appearance – Beer is more rusty-gold than purple. Clear despite the flour. Thin white head, but this bottle appears less carbonated than the last few I’ve opened.
Taste – Tangy plum skin, apricot, and lemon. Beautiful blend of fruit and beer. Wyeast Lambic Blend with dreg-augmentation again does a really nice job. Strong lactic acid without any vinegar or nail polish. Finish is moderate funk, hay, and overripe stone fruit.
Mouthfeel – Light, but not thin. Carbonation is too low, maybe the cap-job on this one wasn’t perfect.
Drinkability & Notes – Delicious. The plum could be a little juicier and fresher, but it works well. Sad I didn’t leave any of this half unfruited for comparison.
Changes for Next Time – I’d like to keep experimenting with other plum varieties in beer. Glad the pale base worked out well. Despite “plum” being a common descriptor for darker Belgians, actual plums don’t shine with all of that malt.
Recipe
Batch Size: 10.00 gal
SRM: 5.5
IBU: 5.3
OG: 1.046
FG: 1.006/1.006
ABV: 5.25%
Final pH: 3.45/3.45
Boil Time: 90 mins
Fermentables
----------------
92.3% - 9 lbs Breiss Bavarian Wheat DME
5.1% - .5 lbs Maltodextrin Powder
2.6% - .25 lbs King Arthur All Purpose Flour
Hops
-------
2.50 oz - Homegrown Cascade: Aged 3-4 Years (Whole, ~1.00% AA) @ 90 min
Yeast
-------
Wyeast Belgian Lambic Blend
or
Omega OYL-218 - All The Bretts
Omega OYL-057 - HotHead Ale
Notes
-------
Brewed 1/15/17
Hops were homegrown and aged open over several years.
Fermented and aged in 6 gallon BetterBottle without transfering. Added some various dregs over the course of fermentation.
7/21/17 Filled a 1 gallon jug with the Wyeast half onto 6 oz each homegrown sour cherries, blackberries, and mulberries (plus maybe an ounce of raspberries - maybe 4 oz total over a couple months). The remainder went onto 3 lbs of methly plums.
8/24/17 Added an additional 1.75 lbs of Castleton plums to the plum portion
12/14/17 Bottled the 2.75 gallons of the plum with 61 g of table sugar and rehydrated CBC-1. Bottled the .8 gallons of backyard fruit with 21 g of table sugar and CBC-1.
The extent of the influence of aged hops on sour beer is still a bit underestimated. While the generally stated goal is preventing rapid souring by Lactobacillus in a traditionally fermented lambic, what they add to the flavor and what particular characteristics of the hops best serve this isn't widely studied. There are a few studies that oxidation can boost certain fruity aromatics. Which has lead Scott to threaten to use old hops on the hot-side for a NEIPA... he promised to do a test batch before brewing a 10 bbl batch on the new Sapwood Cellars brewhouse.
I thought it would be fun to brew with aged Cascades from the bines in my backyard, especially because fresh they didn't have a huge aroma. They'd been sitting open in my basement since they were dried a few years before.
I don't have the space or effort to grow or malt grain, so I took the easy way out and brewed with wheat malt extract (a blend of 65% wheat malt 35% barley). I'd had good results from extract lambics previously, but this time in addition to maltodextrin I added wheat flour slurry to the boil. Mixing the flour with cold water prevents it from clumping when it touches the boiling wort. A turbid mash pulls starch from the unmalted wheat into the boil, which eventually feeds the various microbes in the late-stages of fermentation. The microbes must have enjoyed it as the resulting beers are completely clear.
Fruit was provided by our four berry trees/bushes. Sour cherry, blackberry, raspberry, and mulberry. To keep things easy I added roughly equal amount of each (other than the raspberries). I briefly froze most of the fruit, but I added the raspberries a small handful at a time as they ripen slower than the rest. I only had enough of each for one gallon of beer, as most of the rest of the fruit was spoken for. The leftover beer went onto local plums!
Video Review
Backyard Berries
Smell – Cherry and raspberry lead, not surprising as they are more distinct than the blackberry and mulberry. There is an underlining wine-iness that likely comes from the rest of the fruit. The base beer behind the fruit doesn't make itself known other than a subtle maltiness.
Appearance – Clear garnet on the first pour, a little haze when I emptied the bottle into the glass. Alright head retention thanks to the wheat.
Taste – Reminds of the nose with raspberry up front and cherry jam into the finish. Not as bright and fresh as it once was, but still reasonably fresh. The malt and hops don’t add a huge amount of character, but they support the fruit. The Wyeast lambic blend similarly stays mostly out of the way, adding edge complexity without trying to fight through the fruit.
Mouthfeel – Not a thick beer given the relatively low OG, and all of the simple sugars from the fruit. Solid carbonation, CBC-1 did a good job despite the acidity.
Drinkability & Notes – The combination of four berries works surprisingly well to my palate. They play together without becoming generic fruitiness. The base beer is unremarkable, but that’s fine in a beer where the fruit is the star.
Changes for Next Time – Would be nice to brew more than a gallon, but otherwise my only real changes would be to go all-grain.
Plum-Bus
The rest of the batch went onto a two varieties of local plums. I've brewed with plums before in a dubbel. I wasn't sure about plums in a pale beer, but after trying spectacular examples from Tilquin and Casey I was convinced!
Smell – Clear it isn’t a kettle-soured fruit-bomb, lots of lemon pith and mineral along with the moderate fruit contribution. Plums aren’t nearly as aromatic as the more common sour beer fruits, but they add a depth without covering up the base beer.
Appearance – Beer is more rusty-gold than purple. Clear despite the flour. Thin white head, but this bottle appears less carbonated than the last few I’ve opened.
Taste – Tangy plum skin, apricot, and lemon. Beautiful blend of fruit and beer. Wyeast Lambic Blend with dreg-augmentation again does a really nice job. Strong lactic acid without any vinegar or nail polish. Finish is moderate funk, hay, and overripe stone fruit.
Mouthfeel – Light, but not thin. Carbonation is too low, maybe the cap-job on this one wasn’t perfect.
Drinkability & Notes – Delicious. The plum could be a little juicier and fresher, but it works well. Sad I didn’t leave any of this half unfruited for comparison.
Changes for Next Time – I’d like to keep experimenting with other plum varieties in beer. Glad the pale base worked out well. Despite “plum” being a common descriptor for darker Belgians, actual plums don’t shine with all of that malt.
Recipe
Batch Size: 10.00 gal
SRM: 5.5
IBU: 5.3
OG: 1.046
FG: 1.006/1.006
ABV: 5.25%
Final pH: 3.45/3.45
Boil Time: 90 mins
Fermentables
----------------
92.3% - 9 lbs Breiss Bavarian Wheat DME
5.1% - .5 lbs Maltodextrin Powder
2.6% - .25 lbs King Arthur All Purpose Flour
Hops
-------
2.50 oz - Homegrown Cascade: Aged 3-4 Years (Whole, ~1.00% AA) @ 90 min
Yeast
-------
Wyeast Belgian Lambic Blend
or
Omega OYL-218 - All The Bretts
Omega OYL-057 - HotHead Ale
Notes
-------
Brewed 1/15/17
Hops were homegrown and aged open over several years.
Fermented and aged in 6 gallon BetterBottle without transfering. Added some various dregs over the course of fermentation.
7/21/17 Filled a 1 gallon jug with the Wyeast half onto 6 oz each homegrown sour cherries, blackberries, and mulberries (plus maybe an ounce of raspberries - maybe 4 oz total over a couple months). The remainder went onto 3 lbs of methly plums.
8/24/17 Added an additional 1.75 lbs of Castleton plums to the plum portion
12/14/17 Bottled the 2.75 gallons of the plum with 61 g of table sugar and rehydrated CBC-1. Bottled the .8 gallons of backyard fruit with 21 g of table sugar and CBC-1.
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