Good To Know

World’s Fastest Pumpkin Carver Attempts New Guinness World Record, Pumpkin Drop, Grab the Oktoberfest Glass, Socially Distanced Stein Hoist and Many More Fun Fall Festivities   WAYNESBORO, VA – (October 5, 2020) – Central Virginia’s Stable Craft Brewery at Hermitage Hill, an authentic working farm brewery and winery, offers the perfect venue and party to celebrate […]

The post Experience Virginia’s Fall Foliage At Stable Craft Brewing’s Fall Harvest Party On Saturday October 17 appeared first on CraftBeer.com.

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Thompson Island Brewing Company in Rehoboth Beach will hold another event in its beer-and-donut pairing series Saturday, Oct. 3 and this time, they’re working with Fifer Orchards on a limited edition beer. This fall, the brewpub owned by SoDel Concepts has incorporated Fifer Orchards’ fresh-pressed apple cider into its Apple Crisp Bliss Belgian Tripel. SoDel […]

The post Thompson Island and Fifer Orchards Team Up for Beer Releaes appeared first on CraftBeer.com.

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I’m happy to announce the BeerSmith Mobile 3.1.9 update has been released for Android, iPhone/IOS and the Amazon app store. The app is being released on an “rolling” basis to existing users or via the app store over the next week. More Value, Costs Less The new BeerSmith Mobile release is a significant improvement over […]
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OREGON CITY, Ore.––Sept. 29, 2020––While 2020 has led to closures and downsizing for many small businesses, Coin Toss Brewing is thrilled to announce an expansion. The Oregon City brewery and taproom, located at 14214 Fir St., Unit H, is taking over an adjacent suite in its building complex. The new space is approximately 1,500 square […]

The post Coin Toss Brewing Defies the Pandemic Odds, Announces Expansion of its Oregon City Brewery and Taproom appeared first on CraftBeer.com.

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Starting with the BeerSmith 3.1 update we’ve added improved data storage security as well as backup options to the BeerSmith platform. I strongly recommend upgrading to 3.1 or higher by going to the main download page at BeerSmith.com if you are using an older version of BeerSmith. Improved Storage In earlier versions of BeerSmith the […]
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I recently posted both yeast and hops updates for BeerSmith 3 and BeerSmith 2 to the add-ons server in BeerSmith. These are recommended downloads for BeerSmith users. These add-ons update the core yeast and hops listings to include new yeasts such as Kveik as well as some 63 new hop varieties. To download these updates, […]
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Today I’m going to highlight some of the new dry hop features in BeerSmith 3.1. BeerSmith 3.1 was released in mid-2020. Dry hopping is one of the best ways to preserve aroma oils in your hops. Because it is done at low temperature, you don’t risk boiling off volatile aroma oils. Also the long contact […]
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I’m happy to announce the official release of the BeerSmith 3.1 update. This update includes some significant updates to the BeerSmith data storage model, TILT data import, new brewing features and a large number of bug fixes. This release is also a very important foundational step towards establishing both an online version of BeerSmith and […]
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Buy BeerSmith 3 Download BeerSmith 3 Here is a summary of the new features coming in the BeerSmith 3.1 desktop update. I have posted the open beta version on the main download page at BeerSmith.com, and plan to publish the formal release in the next week or two. You can find additional details for all […]
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Any long-time readers may recall my interest in the original Russian Imperial Stouts – brewed in England with four malts (pale, amber, brown, and black) plus caramelized sugar. Fermented with English ale yeast and Brettanomyces. They bear about as much resemblance to modern pastry stouts as the original English-brewed IPAs do to today’s hazies and milkshakes.

Of the many recipes from this blog that we’ve adapted to the big system at Sapwood Cellars (Atomic Apricot, Cherry Wine, Tmavé Pivo, Scottish Stout, Cheater Hops, Saphir Pilsner, Berliner etc.) my Courage RIS-Inspired is probably the one I was most excited about! We closely followed the original recipe from 2007 (which I preferred to the 2016 rebrew). Last summer we released the base beer (Lord Rupert Everton), followed last fall by Lord Rupert Barrelton which had a quick dip in barrels that held Cognac Finish Rye Whiskey from Sagamore Spirits.

After refilling the barrels from kegs of the same base beer, we pitched the same strain of Brett I used for the original, WY5110 Wyeast Brett anomalus. It's been out of production since 2007, but I asked everyone I could think of (starting with Wyeast) and no one had the strain available… French microbiologist Christophe Pinchon to the rescue! We’d already gotten “his” Willner Brett strain second hand for our gose (Salzig). The culture he sent started up quickly and I pitched half of an active 2L starter into each 80 gallon barrel in September… then not much happened. The Brett didn’t produce any CO2 or reduce the gravity over six months. Originally, we planned to bottle the beer once it stabilized, but without any apparent fermentation we decided we were better off kegging the beer as Sir Rupert Barrelton.


Sir Rupert Barrelton

Smell – Loamy, with fresher notes of Tootsie Roll (from the malt) and coconut/vanilla (from the barrel). I really have a hard time figuring out it that earthy note is Brett, or just mild oxidation from time warm in the barrels. The spirit-character is relatively subtle, but is enough to immediately make it clear this isn’t an authentic take.

Appearance – Black with chestnut edges. Pretty good dark brown head. Solid retention.

Taste – Smooth flavor without any sharpness from the roast. The Maris Otter and Amber malt help to fill-in the background of the black malt. Plenty of baking soda prevents the roast-acidity that can cause stouts to become acrid. The dark candi syrup brings a subtle dark fruitiness without being obnoxiously raisin/plum like dark crystal can be.

Mouthfeel – Not as thick as stout drinkers are used to (I’ve seen some stouts finish above 1.080 now… and I used to think Dark Lord’s 1.060+ was absurd)! Low carb, just how I like by big/dark beers.

Drinkability & Notes – It’s a unique beer compared to the other more “modern” stouts we brew. The “reasonable” FG of 1.026 makes it easier to drink than the typically sweeter ones. I like the depth of the combination of barrel-character and malt. The age/Brett give it additional complexity. If you are in Maryland and want to try the beer we'll have it available in crowlers the next month or so.

Changes for Next Time – Maybe it was the alcoholic boost from the barrel that prevented the Brett from doing more? Better to use more neutral barrels, or stainless with oak barrel-alternatives. We refilled the barrels with a riff on my Big Funky Ale and pitched additional microbes. It would be fun to try making our own invert no.4 to replace the dark candi syrup.


Courage RIS Inspired 2016

Smell – Brett (cherry, funk, dusty). The Brett C really covers up the malt almost completely in the nose. Blind I suspect I’d lean towards calling it an Oud Bruin.

Appearance – Black with dark-brown edges. Big tan head that is held up by the carbonation for a few minutes before deflating.

Taste – Stout-ier than the nose, with some cocoa notes. However, the Brett is still the primary flavor. Some nutty (almost peanut brittle) flavors from the malts. Moderate bitterness.

Mouthfeel – Carb is similar to what I remember, higher than I’d prefer. A little thin, although once the carbonation is swirled-down it improves.

Drinkability & Notes – It’s a bit beer with a lot of funk, plenty of alcohol, and a bit too much carbonation, not exactly a beer I (or many) would drink quickly.


Courage RIS Inspired 2007

Smell – Oaky. Unlike Sir Rupert, it is the wood rather than spirit coming through. Not damp basement, and not Home Depot lumber aisle either. Just a pleasant vanilla-sugar cookie woodiness. A hint of licorice. The roasty-toasty malt is there, but is subtle. Like Sir Rupert the Brett is restrained, honestly makes me more confident that the Brett really did do “something” in the fresher beer.

Appearance – Black with chestnut highlights. Head pours small and drops quickly.

Taste – Every bit as good as it was 10 years ago. Cookie-toasty, vanilla-oaky, cocoa-roasty, and leather-earthy. It is relatively dry for a beer this big, but the bitterness is mostly gone too. I don’t get any wet paper, or any other signs of detrimental oxidation.

Mouthfeel – The body a bit thin, but considering I brewed it when I was 24 and I’m 37 now I can’t complain! A testament to my beginner's luck… and metabisulfite. Carbonation is low, but I wouldn’t mind if it was even lower.

Drinkability & Notes – What can I say about a beer I brewed more than 1/3 of my life ago? The other two are good beers that I enjoy, this one is something special. A huge range of flavors that all work in unison. Sadly this is my last bottle.





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This week I take a look at how you can use BeerSmith brewing software to adjust the brewhouse efficiency for your individual equipment setup. Understanding Brewhouse Efficiency Brewhouse efficiency is simply a measure of how efficient your all grain brewing system is at converting pounds (or kilograms) of grains into Original Gravity (OG) points going […]
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I received a lot of positive feedback from the BeerSmith Blog Article Index that I sent out last week featuring about 360 free articles on brewing. So last weekend I indexed all 212 BeerSmith Podcast episodes by subject so you can find the ones you are most interested in:   BeerSmith Podcast IndexThe BeerSmith podcast is […]
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On their surfaces the fermentations of beer and wine seem like they should be similar. A cool, sugary liquid is inoculated with Saccharomyces cerevisiae (or a close relative) and the eventual product is packaged with a goal of minimizing oxidation. Why then are the two approached in such fundamentally different ways from yeast pitching rate to the use of oxygen scavengers?

I’ve only made a handful on wine kits over the years so I’m by no means an expert vintner. That said, I’ve been thinking about cider while I wait for TTB-approval to begin production at Sapwood Cellars. The question is, do we approach it like a beer or a wine?

Wine yeast for a Flemish Red

Wine yeast has a different history than beer yeast. Where ale and lager strains have been domesticated for centuries, most wine strains were at best semi-domesticated until the last few decades. A big reason for that is the seasonal production differences between the two products. Dried grain and hops store and ship easily compared to grapes, so harvesting and repitching yeast was common in beer long before wine (which relied on an annual spontaneous fermentation).

Wine strains are still less domesticated (more wild) and thus tend to be more “competitive” than beer yeast, producing kill factors and generally being able to bootstrap up from low cell counts. As a result, suggested pitching rates for wine are usually much lower than for beer. A typical pitching rate for a 1.080 beer might be 3 grams of dried yeast per gallon, where wine is usually 1 g per gallon. This is also reflected in the package size for the strains (5 g vs. 11.5 g).

For home winemakers anyway, it is difficult to find best-practices for things like pitching rate and oxygenation. We can certainly debate the credibility and accuracy of the advice, but homebrewers have widely referenced formulas and targets for these based on original gravity and type of yeast (ale vs. lager).

Riesling Fermentation

Wine must isn't boiled to avoid destroying its fresh fruit flavor, so without chemical intervention there is no “clean slate” to begin fermentation. Even pitching a pure culture of yeast wouldn’t guarantee a product that doesn't eventually sour or go off. That helps to explain the common uses of antimicrobial sulfite and sorbate (which winemakers have widely referenced formulas for dosing rate). Chemical stabilization also allows the packaging of sweet wines, where brewers have mash temperature to control fermentability.

Most of the analysis of wine, must, and fermentation has happened since the 1970s. Where some of the earliest work on microbiology (not to mention scientific measurement) was from breweries a century earlier. Beer became science-ified first thanks to the earlier industrialization of brewing (again a result of the differences in ingredients). 

Saison Fermentation

Modern breweries are built upon keeping oxygen out of the beer post-fermentation. Much of this is accomplished with purging with carbon dioxide or nitrogen and transfers and packaging under pressure. Conversely, conventional wine production relies on dosing with metabisulfite (a potent oxygen scavenger) to neutralize oxidation while the process doesn’t do as much to avoid it.

Part of this is that breweries may make 25 or more batches of beer in a given fermenter each year, while seasonal wineries don’t have this luxury. This means even smaller breweries can afford to spend more on their equipment allowing for transfers under pressure rather than pumps. Dealing with force-carbonation makes pressure vessels a requirement. There are also stages of winemaking, like punch-downs or separating the skins from the fermented wine, that are nearly impossible to do without introducing some oxygen. There is also an expectation of stability and ageability with wine.

Traditionally beer was naturally carbonated, which allows the yeast to scavenge oxygen introduced during packaging. Combine that with typical quick consumption and oxidation wasn't as large of a concern until recently.

Natural wineries that avoid the addition of sulfites do take some cues from brewing in limiting oxygen, but this is currently a growing but still niche winemaking approach.

Chemical additions for a white wine kit

Beer has always been a recipe: grains, water, and herbs at a minimum. Sugars, fruit, spices etc. all have a historic precedent in brewing. It is no big surprise then that brewers are more likely to add 100 different ingredients than vintners who can make wine from crushed grapes alone - although adulteration had a historic place. Most of the wines I see with a "flavor" addition (e.g., chocolate, almond etc.) are inexpensive gimmicks. The lone exception is herbs in wines like vermouth. Where most of the expensive highly sought-after beers contain additions that fall outside of the core ingredients.

Modern wineries add all sorts of processing aids, acid/sugar adjustments, nutrients etc. but generally with the goal of balancing, showcasing, or heightening the fruit expression. Wine strains are now carefully selected to have specific interactions to increase aromatic compounds (e.g., the ability to converts the thiol 3MH to 3MHA). Wine yeast blends are also popular with one strain freeing a compound and another converting it. All things that are rarely considered for brewing.

Brewers have only relatively recently begun to embrace aging in oak barrels, something many wineries never gave up on when stainless steel became the standard. Brewers have very much relied on the secondhand barrels from wine and spirit production rather than buying new or directly supporting coopers.

This goes after the larger point that brewers are currently less tethered to their industry's recent past than wineries. The most popular craft beers of today don't look or smell like any beers that were produced 30 years ago, while wines have remained relatively unchanged. Much of the American craft beer boom was based on taking dead or dying styles, ingredients, and techniques and resurrecting them. It is great to see the same becoming more popular in wine with the resurgence of orange wine, obscure varietals, and natural winemaking.

Barrels for aging

I’m not here to argue that either brewers or vintners are better. I think there are things that each side could learn from the other. Why don’t we see dry hopped wine? Why don’t brewers add 5 PPM of metabisulfite as insurance for the hazy IPAs? Why don’t we see more wineries reduce their sulfite usage by purging their tanks and bottles? Why don’t we see more brewers celebrate the terroir of local ingredients? I even wrote an article for BYO about using wine yeast in beer.

Someone could likely write a similar article about distilleries, cideries, sake-producers, etc. The point is to get out of your box, and see what other experts suggest in their chosen domain. Determine if any of it is useful to what you do!

I've talked to cidermakers who operate just like a winery in terms of their fermentation and highlighting of the apples, while others are clearly more influenced by craft beer (take Graft). We'll likely take a hybrid approach for our ciders, using our best low-oxygen transfers along with winemaking techniques that make sense to us. Celebrating the character of the apples, but still sometimes having fun with additional flavors.


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In July 2018 I made a poster illustrating the connections between breweries. I've expanded and updated it a few times since then, both thanks to people who have commented with suggestions and because big breweries haven't stopped buying smaller breweries. Below is the most recent update. As always let me know if you see anything incorrect, but please include a source confirming it.

Higher resolution image - Prints are available from my web store.

The biggest change since my last update two months ago was the purchase of New Belgium (and Magnolia) by Kirin/Lion. Other big news included purchases by Legacy Breweries (Ninkasi's parent company) of Laurelwood, and Aspen in pursuit of buying 15 breweries by the end of 2020. AB InBev purchased the remainder of Craft Brew Alliance (Kona, Red Hook, Cisco, Widmer etc.) up from 31.5%.

I added some smaller ownership groups around the center box, both craft breweries who own other craft breweries, and private equity firms that own a brewery in their entirety. I've also tried to replace the bigger breweries outside the US with smaller breweries that would be more easily confused for independents.

As always my goal isn't to tell anyone what beer they should buy/drink, only to provide information. There are a wide variety of situations represented along the outside of the chart, and there is a big difference between a brewery owned by Duvel Moortgat and one owned by AB InBev. Personally I do my best to support small local breweries where the owner is personally involved. Then to independent regional breweries, then to independent national breweries, on to the private-equity-backed conglomerates, and finally those owned by big beer (whose interests, lobbying, and sales practices often hurt small breweries).

There are also a wide range of situations that I haven't found a way to represent on the chart. For example the breweries that are owned in part by private equity firms (Abita, Stone, Schlafly, Unita, Weyerbacher, and Lord Hobo).

A few common questions:

How did you choose which breweries are in the center box?
  • I tried to include a range of sizes and locations, focusing on my favorites, friends, and those that had been generous with their time. There are tens of thousands of breweries and not enough room for all of them.
Why is Sol under Heineken, isn't it owned by MillerCoors?
  • The poster shows ownership, MillerCoors has a 10-year distribution deal for Sol in the US. My goal is to show ownership, so I ignore contract brewing. This is different than the overlap between Groupo Modelo and Constellation where brands like Corona and Dos Equis are owned/brewed separately for the US.
What is that weird symbol above the Trappists?
  • It's the logo of the Holy See (Vatican). Certainly not the same as the corporate relationship depicted elsewhere, but it is certainly a connection between them and the other monastic orders of the Catholic church.

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